Nicole Givens Kurtz is awesome on so many levels. She’s a mother, a writer, and a publisher, and an all-around cool person. She sent me an awesome essay – so I’m very happy to run this as the first Evolution post.
Weird Westerns are a sub-genre of speculative fiction. I was first introduced to this sub-genre when I lived in the Southwest and attended MilehiCon. While there, I met David B. Riley and his publishing company, Science Fiction Trails. He and Laura Givens were working on an anthology of weird westerns. Excited by the idea of creating a diverse populous in the old west, I went home and wrote a short story. I submitted “Justice” to them and it was accepted. The story appeared in Six Guns Straight from Hell.
It is from those stories in Six Guns that I fell in love with weird westerns. I was won over by the dynamics of steampunk, aliens, and of course, magic in the west. Will Smith’s turn in The Wild Wild West movie conjured up all the western episodes from my past. The fact of a black man in the west, saving it from destruction, stuck to me, despite its silliness. For once, the hero wore my color skin and he was doing it with guns and a dark, black hat—no white hat heroes here!
Recently two of my short stories have appeared in Wolfsinger Publication’s diverse weird western anthologies, Lost Trails Volumes I and II. Most of my southwest stories are weird. I write often about my time in the Four Corners area, but also focusing solely on people not commonly represented, Native Americans and African Americans.
My love affair with weird westerns extend beyond my stories.
I’m a huge fan of Stephen King’s The Dark Tower and anime favorite, Cowboy Bebop. Other weird westerns favorites include Trigun, Samurai 7, and Samurai Champloo. What I enjoy about each of these titles are the diverse casting, the way the west was interpreted, and the dynamics—desperation–between all of the characters.
I’m just as big a fan of original westerns as I am of the weird kind. My mother used to spend Saturday evenings watching Clint Eastwood movies. While some people love The Magnificent Seven, I enjoy The Outlaw Josey Wells and others. Still, Unforgiven, is perhaps the one I love the most. I always cry when Ned dies. Yes, there are subtle commentary about the black cowboy dying in the film, but it’s Morgan Freeman’s portrayal of Ned that really drives my emotional attachment to him. It’s also Eastwood’s grief-stricken agony that tugs on my heart strings when he orders the town people to ‘take care of Ned.’
And the threat that if they don’t, he will come back for them.
Look for my weird western stories in two upcoming anthologies. One if Baen’s Straight Outta Tombstone and the other is Lawless Land available from Falstaff. Both anthologies have some of the best writers in speculative fiction are contributing! Gail Martin, Misty Massey, and John Hartness to name a few. I’m lucky to discover weird westerns on this side of the Southwest. There are great rewards for those who haven’t contributed. So stop by and boost the signal with a great big YeeHAW!
As a lot of folks here know, in 2016 I started a small publishing company, Falstaff Books. As such, I look through a fair number of manuscript submissions. I don’t read all of them at first, there’s a team of slush readers that do that. But I sometimes poke my head into the slush pile, and I read everything that gets kicked up the food chain to me.
That means I see some truly interesting things done with formatting of documents. Despite the fact that we publish pretty clear submission guidelines on our website (click the big red button that says “submissions” to see these), we’ll occasionally get some manuscripts that do not follow the guidelines. I don’t know if this is ignorance, hubris, or just stupidity that causes people to ignore the clearly stated guidelines, but it will frequently result in a rejection without the submission ever being read.
Here’s why – I have enough books under contract to not accept another title for publication before 2020, and we’d still be really busy.
We are a very small press. We do not pay advances at this point. We do not have national bookstore placement yet. We have a very small media footprint. We have won no major awards for our books, and have only a few thousand people on our newsletter and social media reach. And we still have so many amazing books in the pipeline that if I didn’t accept another book for two years, we’d still be able to publish multiple books every month for the next three years.
If we are that inundated with talented writers and quality manuscripts at this point in our evolution, how backed up do you think places like Apex or Angry Robot or Baen are? Those folks have been around much longer and have much better distribution, so if you think they aren’t way busier than I am, you’re smoking the good shit.
If you mail me the good shit, I might forgive some of your formatting stupidity.
So that’s what it boils down to with some guidelines – give an editor the shit they want in the format they want it, because doing anything else gives them an excuse to reject your manuscript and move on the next amazing submission in the pile.
But I’m going to go point by point in our guidelines and tell you exactly why they exist. So you don’t sit there and say “That Hartness guy is just an arbitrary asshat that hates kittens and rejected my manuscript because I mailed a hard copy in on cat stationary.”
First off, we only accept email submissions. I don’t have a PO Box, I don’t want a PO Box, and there is no way in hell I want you crazy fuckers showing up at my door with rose-scented perfumed manuscripts.
Secondly, fuck you, I love cats.
See? That’s my cat. In a Bojangle’s box. He’s fucking adorable.
So here are the guidelines, pulled straight from our website as of today, March 22, 2017.
All submissions should be sent to info@falstaffbooks.com with a query letter and the requested sample, sized by format as indicated above. Should your work be accepted by another publisher during the 45-60 day period of your manuscript’s consideration, we would appreciate you letting us know.
If I have met you personally, you can send it to my email address. Otherwise, use the main email address. This is because all the editors have access to it and everyone checks that email inbox. That means that your manuscript gets seen and evaluated faster. It helps us be more efficient.
Send a query letter. I want to know a little something about you and the book before I dive in. There are a lot of websites out there that will teach you how to write one. They won’t tell you this – if you don’t include anything, I won’t read the submission. I’ll email you a form rejection letter and move along. If you don’t care enough about the book to write a query to get me excited about the book and about working with you, then I don’t care enough to read your query letter. Also, without a query letter it’s just a random email with an attachment. And those get deleted immediately.
Simultaneous submissions are fine, but if the book gets picked up, let me know. That’s just basic courtesy.
Please format your work in Standard Manuscript Format, which is:
MSWord documents ONLY (.doc and .docx format)
I fucking hate RTF Files. I’m getting old and I need to be able to adjust the size of a document easily. Word lets me do that. I don’t write in Word. I don’t care what you write in. The publishing world works in MSWord, so fucking get a copy of it. Some of the free stuff out there is great, but some of it the formatting looks like a pile of assholes when you transfer it to Word, so you better be able to look at it in Word before you send it. And if you can look at in Word, why not just make it there?
12pt. Times New Roman Font
Yes, goddammit, you have to use the right font. I find serif fonts easier to read, and 12-point is about the smallest my old eyes ca handle. When your business card says “Publisher” on it, you can set the rules to make your life easier.
1-inch Margins
It makes things look uniform, and gives me some idea of how long your paragraphs will appear on the printed page. It’s a small thing, but the idea of blocks of grey space is something I think about, and at this point if a submission follows traditional guidelines, I get a sense of how dense the text is.
Double-Space between lines
I mentioned I’m getting old, right? I never expected to survive my twenties, and there are plenty of people who hung out with me who also didn’t expect it. But since I did, and now I’m in my forties, I’m fucking blind. Double-spaced used to be for manual edits, now it’s for old bastards who need help reading.
DO NOT INDENT MANUALLY
We make a shit ton of ebooks. Ebooks hate hard tabs. So don’t fucking use hard tabs in your document. Gain some facility with the rod processing software and set your preferences to indent the first line of each new paragraph. It’s one of the things you can do when you’re fixing the font and spacing. Someone is going to have to go back through and do this anyway, so you may as well do it from the start. I sure as fuck am not going to do it, so if you send me a manuscript full of manual indents (hard tabs), you’re getting the thing back with a note that says “get rid of all the fucking hard tabs” before edits.
Number your pages in the UPPER-RIGHTHAND CORNER starting on the SECOND PAGE
Help me keep track of where I am. Again, it’s something you set up at the beginning of a document.
Please include your name, email, address, and phone number on the COVER PAGE
I would like to know how to get in touch with you, just in case you’re fucking amazing.
CHAPTERS must start on a NEW PAGE.
Because that’s how fucking books work. Have you ever fucking read one?
Finally, please wait 45-60 days for our response to your submission. We will request more of your work or send a rejection during that time. Due to the large number of submissions we receive we will be unable to send a personal rejection with each submission, though we will do our best to do so when it comes to novels and novellas.
Those are our guidelines. They’re pretty simple, right? Just follow those, and your shit gets read. Don’t follow them, and you show me that you’re a special fucking snowflake that doesn’t take direction well. It speaks to how you will handle edits, and whether or not you’re a pain in the ass. Here’s a tip – working with a publisher is a multi-year engagement, and nobody wants to work with a pain in the ass for very long. So don’t suck. Put your best foot forward, because your submission is like a first date, and nobody farts at the table on the first date.
So take a fucking Bean-o and enjoy the lobster bisque.
Another Mysticon episode while I prepare to go to SC Comicon and record more episodes, here’s my chat with storyteller, paranormal investigator, and Falstaff Books author Tally Johnson. Tally and I both grew up in the upstate of SC, so we definitely sound like a couple of old SC boys talking. Have fun listening, because we sure had fun recording!
It’s the beginning of con season here, which means it’s stupid busy. I spent a fair chunk of Friday packing boxes of books (yes, in between episodes of Iron Fist, which I enjoy, but not as much as I loved Luke Cage) for SC Comicon next weekend. I’ve got several appearances and signings coming up in the next few weeks, and I’d love to see you at any or all of them.
Actually, maybe not ALL of them. That might be a little creepy, and I might have to wonder if you don’t have anything better to do with your life than follow me around like some kind of low-rent Grateful Dead tour. Without the drugs. At least, as far as you know. But there’s better not be anyone selling molly in the parking lot of my book signings.
Nah, fuck it, you be you, booboo. If you wanna sell molly in the parking lot of a book signing, you sell all the molly you want. I don’t know how much custom you’re gonna find in the parking lot of Park Road Books, but you could probably make some serious bank at a comic con or at the Winthrop bookstore. Huh, maybe following fantasy authors around and selling drugs at their signings could be a whole new business model.
For somebody else, of course. I would never suggest that drugs are anything other than the evil scourge of our society that the media says they are. But, since we’re on the subject, you holding?
Anyway, I’ll be at Park Road Books in Charlotte this coming Wednesday night at 7PM promoting the anthology Cinched:Imagination Unbound that we published at Falstaff Books last year. I’ll have my good friends Misty Massey, Gail Z. Martin, Larry N. Martin, Nico Serene, and Dave Harlequin with me, so come on out and pick up an awesome book or two! There’s more info at the Facebook event page.
Next weekend I’ll be at SC Comicon, slinging my books and books by all the Falstaff authors! This is a great little two-day con, and I really shouldn’t call it little, because there’s a ton of people there. They’ve got a great guest list this year, and I bet there will be a lot of Bernie Wrightson tribute pieces done, since the comics legend passed away last weekend. Falstaff author Bobby Nash will also be there, promoting his new release 85 North, as well as the ton of stuff he’s written, and our friend Davey Beauchamp, who makes incredible fractal fan art, will be there too. If you’re anywhere near Greenville, you should come out and say hi.
The following week I’ll be at my old alma mater Winthrop University for a multi-author signing and discussion about our anthology We Are Not This. This charity anthology was created to protest the discriminatory and frankly bullshit hate-filled law that NC passed last year called HB2. It’s a piece of shit legislation designed to marginalize some of our citizens and while people are concentrating on that section of the law, stripped employees of all sorts of protections that they used to enjoy in a civilized society, all because our former governor is a cockbag and the NC General Assembly is full of twatwaffle shitsuckers. I have been accused of having strong feelings on this issue.
But if you’re interested in hearing a bunch of social justice warriors talk about why they care about a law that doesn’t affect them directly (hint – the answer is because we’re fucking human beings), come join me, Melissa & Jason Gilbert, Lucy Blue, Tally Johnson, and Misty Massey talk about the concept of looking out for other people and treating people the way you want to be treated. You know, the shit they taught you in kindergarten.
Then next weekend I’ll be in glorious Shelby, NC (no shit, it really is a very pretty town, and gave us Earl Scruggs and Acoustic Syndicate, so it’s got a badass musical heritage) at an event at the Shelby Public Library. My homey Darin Kennedy set this up with the fine library folks (I heart librarians) and there will be a ton of authors there, including a bunch that I’ve already mentioned here, like me, Gail, Darin, as well as AJ Hartley, Jake Bible (I’m gonna wear my Stone Cold Bastards t-shirt), Misty, Nicole Givens Kurtz (who has a guest blog coming up here on Friday), and other badasses. You can find out all the info at the Facebook Event Page.
So yeah, I’ll be a lot of places, I’ll be talking about (pimping) all the things. Come see me, say hi, get a sticker, take a selfie, bring me your cat to snuggle (don’t really, that might be weird, unless you check with the venue ahead of time and they say it’s cool. In that case, totally bring me you cat to snuggle.). Hope to see y’all soon!
This is chapter 6 of a serialized novel that I’m working on. I post a new chapter each Monday. To catch up on previous chapters, you can click HERE.
Chapter 6
I followed the sheriff in my truck, but the closer we got to the scene, the more my heart just sank further down toward my toes. I wasn’t sure when we turned off onto Highway 9 out of town exactly where we were going, but the second we turned left onto Black Bottom Road, I felt sick to my stomach.
“This is where she did it, ain’t it?” Jenny asked.
“Yes, honey, this is where she did it.” I replied, thinking back to that summer when Union County got famous for the ugliest of reasons. A few minutes later, we pulled up to the boat landing at John D. Long Lake, where Susan Smith rolled her car into the lake with her two children strapped in, drowning them both. I hadn’t been to the lake since the day they pulled the car out, for fear of what I would see when I did, but here I was now.
“That’s just awful,” Jenny said.
“Yes, it is.”
“Are the little boys here?” she asked.
“I hope not,” I said. “I hope they went to Heaven to play and be little boys forever and have all the ice cream they want and never get skinned knees or stung by yellowjackets.”
“That would be nice,” Jenny said. “I hope that too.” I could feel her look at me. “You ain’t been out here, have you?”
“No, I haven’t. I don’t know if I can do anything for those boys if they are here, and I don’t know if I can stand it if I can’t.”
“You want me to look around and see if they’re here?”
“You’re sweet,” I said, putting the truck in park and unfastening my seatbelt. “But I’ll be fine. If there’s a couple little boys out there, I reckon I’ll try to help them move on. If not, then that’ll be better, I think. But they aren’t why we’re here.”
“I wonder who it is?” She asked, passing through the door to walk beside me.
There was a wrecker and an ambulance parked at the landing, and Sheriff Dunleavy was talking to Clyde, the county wrecker driver. A pontoon boat floated out in the lake, and I saw bubbles popping up to the surface around the boat. My best guess was they had Allan West down there looking around, since he was the only person in this part of the world with SCUBA gear that used it more than once a year.
I walked up to the sheriff’s side. Clyde tipped his hat to me. “Lila Grace,” he said.
“How are you, Clyde?”
“Oh, I been better, I been worse. Ain’t looking forward to this mess.”
“Why’s that?”
“Cars get heavier than hell when you fill ‘em up with water,” Clyde said. “I ain’t got but a five-ton winch on this old girl. Too much water in whatever’s under there, I might not be able to pull it out. I can handle most cars, but we get something like one of them big stupid SUVs and we better be sure to break out all the windows before it comes up. That’ll let the water run out easier and give me less problem winching it up onto the landing.”
“What happened here, Sheriff?” I asked.
“You need to go on back outside the yellow tape, Ms. Carter,” Jeff came up to me and took hold of my arm. I shook him off and gave Dunleavy a look.
“It’s okay, Jeff. She’s helping us on the Miller case. She can stay.”
“But she’s not a deputy. It’s only supposed to be emergency personnel behind the tape, Sheriff,” Jeff protested.
“Jeff, I get to let anybody on this side of that yellow piece of string that I want to,” the sheriff said. “If it’ll make you feel better, when we get back to the stations, I’ll deputize Ms. Carter. But for now, leave her alone and go make sure that Cracker fellow stays the hell back.”
The “Cracker” in question was Gene “Cracker” Graham, the owner of the local newspaper, lead reporter, and chief photographer. Life in a small town meant he wore a lot of hats. I recognized his car pulling up to park next to my truck, and Jeff hurried off to intercept him.
“You were telling me what happened?” I asked.
“Shorty Horton was fishing out here when he hooked his line on something. Snapped it clean, so of course he decided that he’d finally found the one big catfish in Long Lake, and starts circling.”
“Don’t know why,” I said. “Catfish that old and big wouldn’t be fit to eat.”
“Anyway,” the sheriff continued. “He hit something with his outboard motor, and when he dove under to see what it was, he saw the car, with long blonde hair floating out the driver’s side window. He called it in, and you know the rest. Jeff was already on the scene when I got here, and he’d called Clyde. I got Allan out here, and once he gets the winch hooked up, we’re going to pull it up out of there and see who the poor woman was.”
“I thought Ethel said it was a girl?” I asked.
“Lila Grace, have you seen Ethel lately? Anybody who ain’t drawing Social Security is a boy or a girl, including you and me.”
I laughed. “Well, I think I’m a fair bit closer to getting my government check than you are, but it’s still a ways off. I can’t even get free sweet tea at Hardee’s yet.”
“I got it!” Allan shouted from across the lake.
“Get your boat out of the way and we’ll pull her up,” Clyde hollered back. Allan heaved himself out of the water, looking like the Michelin Man in his wetsuit. He waddled to the captain’s chair, leaving a trail of fins, tanks and mask as he went. Seconds later, the pontoon boat putt-putted off to the far side of the lake and Clyde put the winch in gear.
It whined with the load, but the old rollback wrecker had more than enough power to pull the black Honda Civic up out of the water. As soon as the back bumper crested the lake’s surface, I heard Jenny gasp.
I turned to her, my eyebrows up. “What is it, sweetie?” I asked, trying not to let on to Clyde that I was talking to a ghost. He didn’t believe in what I did, and didn’t look too fondly on my talking to dead people around him.
“That’s Shelly’s car. Oh my god, it’s Shelly!” The dead girl collapsed weeping to the ground, more upset about her friend’s death than I’d seen her about her own.
“Sheriff,” I said quietly. “We have a problem.”
“What’s wrong, Ms. Carter?”
“That car belongs to Jenny Miller’s best friend Shelly. She was the last person to see Jenny alive, and now she’s probably drowned child in the driver’s seat of that car.
“Son of a bitch,” the sheriff said under his breath. “Pardon my language, Ms. Carter.”
“Hell, I was just thinking the same thing myself, Sheriff.” I said, splitting my focus between the car slowly rolling backwards up the boat landing and the sobbing teenage ghost at my feet.
Sheriff Dunleavy motioned his deputies to push the lookie-loos further back, and went over himself to break up an argument between Deputy Jeff and the newspaperman Gene Graham, who had indeed shown up with a big old Nikon camera slung around his neck like a hillbilly Jimmy Olsen. Cracker was waving his arms and starting to wind himself up into a whole tirade about the First Amendment and freedom of the press when I walked up.
“Gene,” I said, my voice cracking through the muggy air like a whip. Gene’s head whipped around like he was back in my Sunday School class and I caught him trying to get a reflection up Renee Hardin’s skirt in his patent leather dress shoes again. That boy never would believe me when I told him patent leather didn’t reflect, no matter how much you polished it. He was a little scamp, but it did mean he always had polished shoes for church, so I let it go.
“Ms. Lila, what are you doing here, and on the other side of the tape, too?” Gene asked.
“The sheriff has done told you he can’t answer no questions, Gene. Now you need to put that camera back in your car and go interview Arthur Black about how his peaches are coming in after the cold snap we had in April. As soon as the sheriff has something he can tell you, he’ll call you and give you an exclusive.” I didn’t bother to point out that since he owned the only newspaper in town, he always had an exclusive. Ever since that mess with the Smith woman happened, Cracker liked to think he was a big-time newspaperman. He had one story picked up by the Associated Press and it went straight to his head, I swear.
“Now, Ms. Lila, I can’t do that. This is the biggest news to happen in Lockhart this week, and I have to cover it. I need to report on it, and I can’t do that without taking some pictures.”
“That is not going to happen, Mr. Graham, and if you point that camera anywhere near that vehicle without my permission, I swear on my mother’s grave you’ll find it at the bottom of the lake,” Sheriff Dunleavy growled.
Gene bowed up again, and I could just about see these too men getting ready to whip things out and start measuring, so I leaned into Gene and whispered, “We think it’s Shelly Thomas’ car, but we can’t have nothing getting out about it until we see if she’s in there and then notify the next of kin. You wouldn’t want that child’s mama reading about it in the newspaper before we get a chance to break the news to her, would you?”
Gene’s face went ghost-white and he took a step back from the yellow police tape. He stood there for a minute, then took a deep breath and wiped his eyes. “No, Ms. Lila, that would be awful. I see what you mean. I can go…cover some other stories and wait for word from the sheriff that he has information. Y’all know where to find me.” He turned and waddled off back to his truck and peeled out of the parking lot. I started walking back to the car, and Sheriff Dunleavy followed close behind.
“What was that all about, Ms. Carter?” he asked.
“Gene played baseball with Shelly’s daddy in high school. They fell out when Shelly’s daddy stole Gene’s girlfriend.”
“Why would that make Graham back off the story?”
“Gene’s girlfriend married Shelly’s daddy and had three little girls. The oldest one is about sixteen and I’m afraid we’re about to find her in the driver’s seat of that car.”
“So Gene doesn’t want to upset his old girlfriend, I get it.”
“Gene doesn’t want to break the heart of the only girl he ever fell in love with, Sheriff. He never got married, never had kids. He and the Thomas’ became real close after they got married, and Gene is godfather to all three girls. He would no more hurt that family than he would sell his newspaper.”
The car was all the way up on dry land now, and Clyde was lowering the end of the rollback to pull the car up onto the wrecker. Sheriff Dunleavy waved him to a stop, and walked around the car. I followed close behind, looking where he looked, but I couldn’t see anything out of the ordinary.
“What do you see, Sheriff?” I asked.
“Not much,” he said, his eyes scanning the car as we did a slow lap around the outside. “There’s nothing to indicate that she wasn’t driving or operating the car under her own power when it went into the lake. We won’t know more until we get it back to the garage, but all the window are intact, and I can’t see any scratch marks around the keyholes to indicate forced entry.”
He paused at the driver’s door, peering inside. “Is that Shelly?”
I looked in the window and nodded. Shelly Thomas was sitting up behind the wheel, pretty as you please in a cute pink top and blue jeans. Her seatbelt held her upright, and there was no air bag deployed, so it didn’t look like she’d been in a wreck. I couldn’t see too much through the windows, all streaked with silt and lake muck, but I couldn’t see any injuries on her. She just looked like a pretty teenaged girl out for a drive.
The sheriff motioned the EMTs over to the car, and snapped on a pair of latex gloves. I stepped back out of the way as they rolled a stretcher over to the side of the car and opened the door. Water poured out onto the ground, and everybody stepped back.
Clyde walked up to me with a sheet in his hands. “Take a corner, Lila Grace,” he said, holding out the white fabric to me.
“What are we doing, Clyde,” I asked, then a lightbulb went off as I watched him walk away from me as far as he could while we each had one corner of the sheet, and he lifted his hand above his head. I did the same, and we held that old ragged sheet up like a curtain as the EMTs and Sheriff Dunleavy got the girl out of the car and onto the stretcher. They zipped her up in a body bag and covered her with another sheet before one of them nodded to Clyde and we let the makeshift privacy screen down.
I walked over to Clyde and helped him fold the sheet. “That was sweet of you, Clyde,” I said.
“People deserve not to have everybody in the world gawking at them when they’re laying there dead, Lila Grace,” he said. “I started carrying this in my car some fifteen years ago, when that kid ran his car into the bridge railing down on Old Pinkney Road.”
“I remember that wreck,” I said. I didn’t bother telling Clyde that I had talked with that poor boy several times before he got satisfied enough that his mama would be fine without him and he was able to move on.
“There was a bunch of people at that one, like there is today, and that boy was all tore up. His head was about split plum in two, and I remember thinking that it wasn’t fair to him that all them people that didn’t even know him were looking at him like that. So now I try to give people a little dignity in death. It’s the least I can do.”
“It matters more than you think, Clyde,” I said.
“I reckon if anybody would know, it’d be you,” he said, then turned and put the sheet in the cab of his truck. I stood there flabbergasted. I’d had a lot of people say a lot of things about my gifts before, but never had anybody just accepted them for what they were like Clyde. I swear, that little old man was a true onion. He had more layers than anybody would ever suspect.
I looked to Sheriff Dunleavy to ask him what our next move was, but caught sight of Jenny as I turned my head, and the look on her face stopped me in my tracks.
Sheriff Dunleavy leaned back in his chair and looked at me, one of those long, steady looks that men do when they think they’re being all serious, but really all they’re doing is trying to figure out what box to put you in now that you have done escaped the one they thought you were supposed to fit into all nice and neat. I’ve known men like him all my life, and it’s better to just let them sit and “process things” and figure out what they’re going to say, then go on about your business and do things the way you intended to do them in the first place, rather than getting your blood pressure up fighting them over it.
“Ms. Carter, I don’t know what help you can be, but I don’t have a whole lot to go on with this case, and I don’t know anybody in this town, and Jeff, bless his heart, just ain’t as much help as I’d like for him to be. So while I’m not sure I believe you can do everything you say you can do, I think it’s gonna be a whole lot better for me to have you working with me instead of out on your own getting in my way.”
“Well, Sheriff, that’s certainly one way of looking at it, and since it gets me right to where I want to be, which is working on this case, I don’t expect I’m going to argue with you about it. Now what can you tell me that the child hasn’t been able to tell me herself?”
“I don’t know what the victim has told you—“
“Jenny,” I interrupted.
“Excuse me?”
“Her name is Jenny, and she is a girl. She is not ‘the victim’ or ‘the girl’ or ‘the body.’ She is Jenny, and I will remind you that she is still sitting right here and can hear every word. She is dead, and she is a ghost, but she is also still a little girl who is scared at what is going to happen next, and angry that she won’t go to the prom, or graduate high school, or get married, or have a baby, or grandbabies, or any of the things that she was supposed to do. So she will be treated with respect, and not referred to as ‘the victim.’ Do we have an understanding?” I might have slipped into my Sunday School Teacher voice, the one I used on Kacey Swicegood all those years when he was trying to be distracting while I was teaching the story of the loaves and fishes.
Sheriff Dunleavy looked appropriately chastened, although I don’t know if it was because of what I said, or if I just made him remember his own mama reading him out for talking ugly when he was a child. He nodded, then went on. “Like I was saying, I don’t know what Jenny has told you, but we know very little about this case. The…she came home from the football game, apparently went to basement for some reason, and apparently fell down the stairs.”
“You say ‘for some reason,’” I said. “Does that mean the power was on when y’all found her?”
“Well, yes ma’am, when we got the call Saturday morning the power was on and there were no blackouts the night before that got called in, so we didn’t have any reason to think the power was ever out. But that would explain her going down to the basement when there was no one else in the house.”
“What about her flashlight? Did she have a flashlight with her?” I asked. Jenny nodded for me to go on, but stayed silent.
Dunleavy looked at me, then picked up a folder from his desk and took some glossy pictures out of it. He spread the crime scene photos out on his desk and started looking through them. “I don’t see a flashlight in these pictures. The basement’s not the cleanest place I’ve ever seen, but there’s not much clutter,” he said.
“There it is,” Jenny said, pointing to one of the pictures. “On that shelf by the freezer. That’s my flashlight. But how did it get all the way over there?”
“What do you mean, sweetie,” I asked, then I saw where she was pointing. On the shelf over their big freezer, the one her daddy probably put a deer in every winter, sat a bright shiny flashlight, without a speck of dust on it. I could see in the photo how much it stood out on the shelf.
“Sheriff,” I said. “Jenny said that’s the flashlight she was carrying when she went down the steps,” I said. “We need to find out who moved it.”
“Yep, because if she had it in her hand when she was pushed, somehow I doubt it flew ten feet across the basement and just happened to land perfectly on that shelf,” Dunleavy agreed. “I’ll get Jeff to go over there and bag it, then we can bring it back over here and dust it for prints.”
“You might want to have him dust the fuse box while he’s over there,” I suggested.
“That makes sense. If Jenny’s telling you the power was out…”
“What’s the matter, Sheriff?” I asked.
“I’m talking like I believe this is all really happening, which I reckon I do, since I’m sending a deputy over to re-open a crime scene based on either the say-so of a ghost, or the say-so of a crazy woman. It’s just going to take me a minute or two to adjust to my new reality, I think.”
“Welcome to my world, Sheriff. Don’t worry, there’s plenty of room on the crazy train.”
“Lila Grace, did you just make an Ozzy Osbourne reference?” Sheriff Dunleavy asked me.
“I’m hardcore, Sheriff,” I replied. “Didn’t they tell you I worship the devil and bite the heads off live bats?”
“Oh, people tried to warn me, alright, but believe me, their warnings could not hold a candle to the reality,” he said.
“I’m so glad I could help,” I said with a smile, then returned my attention to the crime scene photos. Sheriff Dunleavy called Jeff on the radio while I perused the photos and sent him over to the Miller house to collect the flashlight and dust the fuse box. He also instructed the young officer to take pictures of the stairs, regardless of the fact that a dozen people had trooped through their in the days since Jenny’s death.
The scene in the photos was pretty normal for a basement, even as peculiar as a house with a basement was for Lockhart, South Carolina. The only reason I could think they would have it is the slope the house sat on made for a whole lot of usable space along the back of the house, so somebody put walls around it and called it a basement. There were some shelves with the kind of junk people usually put on their garage or crawlspace – old sports equipment, lawn furniture that’s out of season or too worn out for use except when the in-laws come over and every single chair that can come out into the yard already has a behind in it, some old cans of paint, a seed spreader, a wheelbarrow with a flat tire, and a dead teenage girl.
Jenny stood looking over my shoulder, silent after telling us about the flashlight. I didn’t say anything to the child, just let her look. Sometimes the dead need to see themselves lying there to really understand their new place in the world, or lack thereof. I looked up at the girl, and her face was sad, but determined.
“Are you alright, sweetie?” I asked after a minute.
“I’m fine. It just took me a minute to get my head wrapped around the fact that was me laying there. Did my mama or my daddy find me?”
I looked at Sheriff Dunleavy, then when he didn’t answer I remembered that he couldn’t hear the girl. “Who found her, Sheriff? Was it her mother or her father?”
The sheriff opened another manila folder on his desk and pulled out a pink sheet of a multi-part form. “It says here that the father discovered the…found her.” He caught himself before he called her “the body,” and I appreciated it.
“That’s good,” Jenny said. “Mama wouldn’t have been able to handle that. I mean, I’m sure it was bad for Daddy, too. But Mama would have just been tore all to pieces.”
“I’m sure she was that anyhow, darling,” I said. “A parent ain’t supposed to have to bury their child. It’s about the worst thing I can imagine.”
“You never had any kids, did you Ms. Carter?” Jenny asked, all of the melancholy of death forgotten in the irrepressible curiosity of the teenager.
“No, honey, I never married. I guess children just weren’t in the cards for me,” I said. I pushed all thoughts of a young man with glasses and a trim beard driving out of town in a fast car to the back of my head. This was not the time to dwell on old hurts or regrets. This was the time to find out who pushed that child down a flight of stairs.
“I can’t see anything out of place or unusual, Jenny,” I said, motioning to the pictures. “Can you?”
She leaned in closer, her body passing through my shoulder. I felt all the hair on my right arm stand up in goosebumps at her touch, like a goose didn’t just walk over my grave, but stopped and decided to tap dance on it for a little while. After several long seconds, she straightened up, and I rubbed some warmth back into my arm.
“No ma’am, I don’t see anything different. I didn’t spend a whole lot of time in the basement, though, so I might not know it if I saw it.” She looked disappointed, like she had been hoping the killer wrote his name in the dust at her feet or something.
“She didn’t see anything else out of place, Sheriff,” I reported. “What else do you have that we can look at?”
“I don’t have any more photos, unless you want to look at the autopsy?” He looked from my face to over my right shoulder, where Jenny stood. I thought for a moment that the good Sheriff could see her, then I remembered that I looked up at her whenever I talked to her, so he could easily figure out where she was from watching me.
“I don’t think will be necessary,” I said. I had no interest in seeing pictures of this sweet child all cut up, and wouldn’t be able to get any information that way anyway. I was no kind of doctor. All I’d get from seeing pictures of an autopsy would be nauseated.
“Good,” Sheriff Dunleavy said. “The findings were consistent with a fall down the steps, but the coroner was surprised to see that there were no bruises on the knees or hands. That made him think that she might have been pushed, because a person falling would naturally put their hands out to break their fall.”
“And most people who fall down the steps don’t land on their head,” I said.
“That’s right,” the sheriff agreed. “If it had been a normal fall, her legs and the rest of her would have been all bruised up. She wasn’t, just her head and a broken neck. Then when I saw you at the scene, I knew life was about to get a whole lot more complicated.”
“I am sorry about that, Sheriff. I would very much like for your life to be as simple as possible. Because when your life is simple, it means that my life is boring. And I like a boring life. I like to go to church on Sunday and on Wednesday nights. I like to go to the farmer’s market on Saturday and buy my vegetables. I like to read the newspaper every morning while I eat my oatmeal with strawberries cut up in it and just a little bit of brown sugar to make me feel decadent. I like boring, Sheriff. So I truly am sorry that I am complicating your life, but this poor child showed up on my doorstep crying her poor dead eyes out, and I couldn’t very well turn her away.”
“No, I reckon you couldn’t, at that. Well, right now I’ve got Jeff going out to pick up the flashlight, so do you have any supernatural advice as to our next step?”
I didn’t get the chance to answer, because as soon as I opened my mouth to speak, the woman who was painting her nails at the reception desk when we walked by rushed in, her mouth open wide. “Sheriff, you got to come quick,” she panted.
“What’s wrong, Ethel?” the sheriff asked.
“We just got a 911 call come in. There’s another dead girl.”
I’m gonna start a new feature on this here website, entitled “Evolution.” This will tie into my Writer’s Journey podcast, except here writers will be able to talk about where a story came from.
So if you’re a writer with a published book or short story, self-published or otherwise, you can send me an essay, no more than 1,000 words (500-800 is preferable) about where a story came from.
Please email the essay, along with a bio, photo, buy links, and cover image (don’t make those photos huge!) to john AT johnhartness.com. I’ll start running these every Friday, so go ahead and shoot me content
PS – your buy links will be so much easier if you use Books2Read.com – they compile all your buy links into one universal link, so no matter how people want to buy your crap, they don’t have to dig through a ton of links.
This is intended for professional writers, or people working towards becoming professional writers. As such, I will enact some quality control. If your essay is a pile of error-riddled crap, I won’t run it. If your cover looks like it was created by an epileptic three-year-old, I won’t run the essay. If you are a dick, I won’t run the essay. Have a nice day. 🙂
People sometimes ask me how I’m so productive, how I manage to turn out a novella every month, plus run a publishing company, and do a couple of podcasts each month, and attend an average of 1.5 conventions each month, and do all the other shit I do.
The answer is – productivity through mental illness.
No joke, no bullshit, I am mentally ill and that is how I get so much shit done.
When I am able to do anything at all.
I self-diagnosed myself with depression when I was a teenager. I didn’t go see a doctor, or talk to a therapist, or do anything healthy to deal with it for almost thirty years. Last year, after dealing with depression for years, and after realizing that it wasn’t just depression, but I also had episodes of super-manic activity that were often equally damaging to my life, I self-diagnosed with Bipolar II disorder. This is not the bipolar that leads to throwing things in tantrums, or driving across multiple states wearing a diaper to murder the spouse of your astronaut lover. That’s Bipolar I.
This is the bipolar that vacillates more slowly, sometimes having month-long or multiple months-long episodes of depression, alternating with equally long episodes of mania. The depressive episodes are marked by hypersomnolence (sleeping all the time), lack of enjoyment in things you generally enjoy, lack of energy, and general malaise. The manic episodes are marked by lack of sleep, irritability, judgmental tendencies, waspishness, and hyperproductivity.
After a couple of meetings with a psychologist and some testing, my personal diagnosis was confirmed, and added to – ADHD along with Bipolar II. So I went on drugs. I take one pill every morning, and the idea is just to keep my shit regulated, to knock the tops off the highs and the bottoms off the lows. As I said to my GP, who is the one I talk to now about my meds, I’m not currently under psychiatric care (although given the fact that I don’t think I need it, I probably do), I just want to keep life on a range between a 3 and a 9, instead of a 1 to a 12.
The drugs I’m on haven’t done much to mitigate the current manic episode, I still don’t often sleep more than five hours each night, but I am less irritable, so that’s something. What the drugs have done is really helped with the depressive episodes. I had a pretty rough depressive episode in November, then another in January. December was okay, and February was pretty level. I was still able to work during November and January, and that’s probably mostly thanks to the drugs. In the past, when I had a depressive incident, I didn’t write at all, and that’s no good for someone with as many deadlines as I have, and someone who lives month-to-month from the fruits of their writing. A period last summer of no writing made for a couple of very tight months in the early fall.
About halfway through February, I felt the restlessness start to pick up, and I knew I was coming into a manic time. So I upped my daily word count, and I’m now writing as fast as I can to take advantage of the illness. That’s my current coping mechanism – when I’m feeling manic, I write as much as I can as fast as I can, that way I have stuff stored up for when I come down. It helps me stay productive, and keep getting paid, which the people that hold my mortgage appreciate. It’s just another part of living with a mental illness – learning the coping mechanisms.
I owe a lot to a couple of people in particular for their part in me getting help. Wil Wheaton released a video about his depression and anxiety that was really influential, and Jim C. Hines wrote a blog post about his fears of going on medication, which mirrored my own, and his positive experiences. Those two things really pushed me to get help, which lets me continue to bring people the stories that they hopefully love. So if you don’t feel right, find someone to talk to. If you can’t afford a doctor, try a clinic. If there isn’t a clinic around, ask around for a patient minister. If you don’t like church, call a hotline. Or phone a friend. There have been too many statistics. You don’t need to be one.
Words from Gail Z. Martin, founder of #HoldOnToTheLight –
#AlwaysKeepFighting #AKF showed the reach media stars have when they talk about issues, and I wondered what would happen if genre authors opened a similar conversation. I recruited my usual partners in crime—John Hartness, Misty Massey, Jaym Gates, Jean Marie Ward, Emily Leverett and my husband, Larry N. Martin—as the steering committee, and we started asking our colleagues and author friends to join us.
The result? More than 100 science fiction, fantasy, horror, paranormal romance and speculative fiction authors are part of #HoldOnToTheLight—and the outreach grows every day.
I had the good fortune to sit down at Mysticon with my buddy Rod Belcher, who writes as R.S. Belcher, and talk about his evolution as a writer, how he got his book deal, how he landed a agent, and what he loves about the writing life. He’s a great guy, a funny guy, and a helluva writer. Here’s the interview in its entirety, also available on iTunes and pretty much wherever you get podcasts from.
It ain’t easy knocking on the door of a house that’s grieving, especially when you know it’s a child that’s passed. The Miller house looked like about any other house in one of them new planned neighborhoods, called Evergreen Acres, with all the streets named after trees. Of course, not a one of the trees they named a street after is an evergreen, so the Millers lived on Maple Lane. I shook my head at how dumb some developers can be as I pulled up on the street outside their house.
There were a few cars in the driveway and on the side of the road, but not too many. It was the day after the funeral, and most of the family from out of town had already gone, leaving the poor child’s mama and daddy to start trying to put their lives back together. And here I was to tear it apart again.
Reverend Aaron Turner answered the door, a scowl making his face look even more sour than usual. The Baptist preacher always looked like somebody shoved a lemon in his mouth and clamped his jaw shut, or maybe stuck that lemon someplace a little further south. But whenever he saw me, his face scrunched up like he just took a bite of something rotten and didn’t have nowhere to spit it out. I was not going to be able to talk to the parents with him in the house. I’d be surprised if I got into the house at all, given the good reverend’s dim view of me and my gifts. The kindest thing he’d ever called me was a fraud, and it went decidedly downhill from there.
“Reverend,” I said, so polite that butter wouldn’t melt in my mouth. I held out the white Pyrex dish with blue flowers on it. “I brought a chicken pot pie. Figured these folks might be tired of broccoli and green bean casseroles by now.”
“That’s mighty kind of you, Ms. Carter. I’ll be sure to pass it along, with your condolences of course.” He stepped back and made to close to the door on me, but he had to hold the dish with both hands on account of the bottom being too hot for him to manage it one-handed. That made him slow getting the door closed in my face, and I pushed my way just across the threshold and held the door open with my foot.
“I don’t mind coming in for a minute to pay my respects. My circle wanted me to say something to Mrs. Miller on our behalf.” I wondered if it was a worse sin lying to a preacher than just lying in general, because the women in my church circle group didn’t have a damn thing to do with me being there, and had no idea I was using their names in vain. They wouldn’t have cared about that, but the lying to a preacher thing would have given Tot Good a little pause, at least.
“That won’t be necessary,” Reverend Turner insisted through gritted teeth. The man did not want me in that house, particularly right then. I started to wonder if there was more to his insistence than just his general dislike for me and his completely unfounded opinion that I sold my soul to the devil.
“Who’s at the door, Aaron?” The voice coming from within the house was familiar, but I couldn’t put a name to it. That was odd, since I’d known most everybody in town for years.
The little bit of light coming from within the house was blotted out by the big frame of Sheriff Dunleavy stepping into the doorway between the parlor and the foyer. “Ms. Carter? How are you doing?” the sheriff asked, walking over to me, a grin splitting his face. I trusted his intentions about like I trusted a crying crocodile. A smiling lawman is never honest about his intentions. I liked my police like I liked my undertakers – solemn and grim.
“I’m fine, Sheriff. I just brought this chicken pot pie and my respects to the Millers. I heard about Jenny and just felt awful about it.” I pushed past Reverend Turner and shook the sheriff’s hand. “Are you here officially, or just being a sympathetic ear?”
“I’m here in an official capacity, I hate to say,” Dunleavy said. “There were a couple of strange things that came up in the autopsy that I need to go over with Mr. And Mrs. Miller.”
“What kind of strange things, Sheriff?” I asked. I knew it wasn’t my business, and a big-city cop would never tell me squat, but I had a little hope that my hokey charm would soften Dunleavy up a touch.
No such luck. “I’m sorry, Ms. Carter. I can’t comment on an ongoing investigation. I’ve said too much already. If you’ll excuse me,” he stepped past me toward the door and nodded to Turner. “Reverend.”
“Sheriff,” the preacher nodded back in that silent acknowledgment men do. Sheriff Dunleavy continued out the door and down the steps. I didn’t see what car he got into, but it must have been his personal one. I would have noticed a police cruiser in the driveway, even if I missed Reverend Turner’s big old black Lincoln Town Car with the Clergy sticker on his bumper. The man was just a little ostentatious for my tastes, with his perfectly creased pants and his big shiny car. I could tolerate fancy or judgmental, but I didn’t do good when one package wrapped up both irritating traits. And Turner was fit to bursting at the seams with both.
“You need to leave, Ms. Carter. This family has been through enough without your interference and crazy stories,” the preacher said in a low voice. He practically hissed at me, the bald-headed little snot. I thought, not for the first time, that Reverend Turner probably got beat up a lot in school. Not because the other children were terribly cruel, which they could be, but because he was such a little bastard.
“You’re right, Reverend.” I said, sugar practically dripping off my tongue. “These fine folks have lost everything that matters to them right now. I should leave them alone to their grief. My name is on the bottom of the Pyrex, so they can return it whenever they’re done. But don’t you go putting that dish in the refrigerator while it’s still hot. It’ll cool down too fast and explode.”
“I know that, Lila Grace. What do you take me for, a moron?”
I didn’t answer that, I just turned and left the house. After all, my mama always said if you can’t say something nice about somebody, don’t say nothing at all.
“What are you doing?” Jenny asked as I walked down the steps on the front porch. “Why are you leaving? Talk to me, dammit!”
I tried very hard to keep my voice low and not move my lips much as I walked to the car. There was a steady trickle of people walking up to the front door, most of them carrying Pyrex, but a few with KFC buckets and one or two even carrying grocery bags with paper plates and the like.
“I am leaving because it will not do us any good to get in a fight with a preacher on your front porch. I can come back this evening when he is leading his choir practice, and have a much better chance of talking to your mama and daddy without causing a scene.”
“Well, where are we going now?” She asked, fading through the passenger door of my truck and settling into the seat. She turned half around, reaching for the seatbelt, then laughed a little. “I guess I don’t have to worry about seatlbelts now, do I?”
“No, honey, I think you’re beyond those problems. And since the only lawman in town who can see you is Sheriff Johnny, you’re probably safe from getting a ticket, too. Speaking of lawmen, we’re going to see Sheriff Dunleavy to ask him what was squirelly in your autopsy. Could be he has some information that might be useful to us, and we certainly have some that he should find interesting.”
I pulled the pickup out onto the street and drove around the block, then headed toward the sheriff’s office. There was a familiar white Prius sitting in the Sheriff’s parking lot, and now I knew what Dunleavy’s car looked like. I could count the number of hybrids in Unionville on one hand and have a thumb to spare, so it wouldn’t be any trouble seeing the Sheriff coming from a mile away, even if he wasn’t in his official vehicle.
I walked through the front door, wincing at the loud electronic beeeeeep that accompanied me. Sheriff Johnny had a bell on a metal arm over the door, like in an old hardware store, and it was still unnerving to me the new technological sound that came with the new high-tech lawman.
“Come on in, Ms. Carter,” Sheriff Dunleavy called from his office. “I didn’t expect it would take you very long to get here.”
“Well, then you might just be sheriff enough to take care of this county,” I said. I walked into his office and paused at the door. The “lawyer chair” had been replaced, and a new chair with arms sat in its place. I sat down in the new chair, testing the soft leather. There was no wobble, and it sat just a little high, putting the occupant almost at eye level with the person sitting behind a desk. Obviously this new sheriff didn’t think he needed any help intimidating people. That in itself was a little bit intimidating.
“The old chair had one leg shorter than the other. Imagine that,” the sheriff said, sitting down behind his desk. He motioned to a Styrofoam cup on the front edge of his desk. “I fixed you an ice water.”
I picked up the cup and took a sip. It was very cold. “Thank you, Sheriff. You have been expecting me.”
“You seem like somebody who takes an interest in things that aren’t quite ordinary,” he said with a mild smile.
“That sounds an awful lot like a polite way of calling me a busybody, Sheriff,” I replied, fixing my own smile firmly on my face. It seemed like we were going to sit here and play the “bless your heart” game for a little while, where we made snide little comments hidden in well-mannered sentences before finally abandoning our pretenses and getting down to business.
But the Sheriff had a surprise in store for me. He leaned forward, put his elbows on his desk, and stared right at me. “I’ve asked around about you. Seems like most everybody here believes you can do what you say you can do. Even Reverend Turner, who thinks you’re in league with the devil, believes you can talk to the dead. Your own pastor, Dr. Reese, speaks very highly of your gifts and your willingness to help people. So either you’ve managed to fool an entire town, or you really do have some power to talk to dead folks.”
“Like I said when we first met, Sheriff, everybody around here talks to dead people. The only difference with me is that they talk back.” I leaned forward in my chair and looked him in the eye as I spoke.
“Well, exactly what are the dead telling you today?” he asked.
“They’re telling me that Jenny Miller didn’t fall down those stairs,” I replied.
“Do they know who killed her?”
“No, they don’t.”
“Then what good are they?”
“They’re dead, Sheriff, they aren’t Batman.”
He let out a deep echoing laugh and leaned back. “I like you, Lila Grace. Can I call you Lila Grace?”
“I wish you would, Sheriff.”
“You know why I like you?”
“Because I can help you solve murders?”
“No, because you ain’t scared of nothing! You have got bigger juevos than any man I’ve ever met. I respect that.”
“Well, that’s where you’re wrong, Sheriff,” I said. “There’s plenty of things I’m scared of. I’m scared of spiders, they give me the willies. I’m scared that the life I lead isn’t good enough to get me to Heaven, and when I walk up to the pearly gates, Saint Peter is going to laugh in my face and send me down to the other place. I’m scared that I really am crazy and just hallucinating all these dead people, and you, and driving around town, and I’m really down in Columbia on Bull Street tied to bed in a pair of Depends that ain’t been changed in two days with everybody ignoring my screaming because they’re tired of listening to this old woman’s mouth. I’m scared of sunspots, because I watch too much PBS. I’m scared of the government, because I watch too much C-Span. I’m scared of getting cancer from watching too much TV, and I’m scared that I won’t be smart enough, or strong enough, or good enough to find who murdered the beautiful little girl that’s sitting in your other chair right now unable to be seen or heard by anybody in the world but me, and that she will wander this earth forever instead of going to Heaven to see her Granny again like she deserves.”
I leaned back and took a drink of water. “So there are plenty of things that scare me, Sheriff. Just none of them scare me as much as letting this little girl down.”
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Weird Westerns are a sub-genre of speculative fiction. I was first introduced to this sub-genre when I lived in the Southwest and attended MilehiCon. While there, I met David B. Riley and his publishing company, Science Fiction Trails. He and Laura Givens were working on an anthology of weird westerns. Excited by the idea of creating a diverse populous in the old west, I went home and wrote a short story. I submitted “Justice” to them and it was accepted. The story appeared in Six Guns Straight from Hell.
I had the good fortune to sit down at 
