This was in my inbox when I returned from auditions tonight –
Shipped on Mon, 03 Aug 2009 via FedEx Ground Home Delivery
All items in your order have been shipped.
In This Shipment
100 of Returning the Favor and other slices of life by John G. Hartness (Printed)
3512 Winterfield Pl.
Charlotte, NC 28205
So by the end of the week (hopefully) I’ll have a pile of copies of Returning the Favor in hand and ready to ship out to those of you who have (or will) purchase the analog version. So far I have sold more digital copies than analog editions, but I expect that to change shortly.So if you want your autographed copy, click on the button the right of the screen and make it happen!
I’ve been really impressed with the service I’ve gotten from Lulu throughout this process. It’s not like they’re doing much for me, I’m laying everything out and making sure it’s ready, but for a straight-up print house, they do good work. And they dealt with the ISBN paperwork for me quickly and easily, so I didn’t have to learn how to do one more thing in the process. I think everybody’s favorite not really ex-stripper (really favorite, not really ex-stripper) is looking at using them for her book as well, so you’ve got that to look forward to.
So yeah, I might have mentioned coming home from auditions. Funny thing, that. So a few months ago, I got a message on Facebook from a director buddy of mine. Seems a local theatre had issues with the rights to their season-opener. Issues like a national tour pulling all the rights nationwide or something silly like that. So they were no longer doing Annie and had switched to Seussical the Musical. Since I’m widely considered somewhat misanthropic and a bad influence on children (all true) my name had been quickly dismissed in discussions of designers for Annie. But when Seussical came about, someone might have thought that I had some experience with bright colors and hallucinogenic substances (also all true). So my buddy asked me if I had really retired from theatre.
My response was a cautious “kinda. Why?” And he mentioned Seussical, and I mentioned that some things might be up in the air with my employment status at PokerNews and I might be interested in the money, and we cut a deal. And along about the same time I had signed on to direct Moonlight and Magnolias for another community theatre in a nearby town. The schedules overlapped a little, but I juggled things around to make them work, and one of the things I juggled was scheduling M&M auditions early. Like tonight early.
Just one problem – nobody showed up. We had four people last night, which almost works out because it’s a four-person show. Except the genders of the auditionees was perfectly balanced, and the genders of the characters are 3:1. So we had one to many vajayjays at auditions last night. And since the characters are real people (the play is about the moment in cinematic history when David Selznick stopped shooting Gone with the Wind, fired the director, shitcanned the screenplay and re-wrote the whole friggin’ thing in five days) I can’t do what I would usually do, which is cast the show gender-blind.
There’s a lot to be said for doing plays where the writer has been dead for a few centuries. Just sayin’.
But basically here’s the deal – I’m directing again, and for the first time in several years I’m directing a show with a living playwright and with language that’s not iambic pentameter. I’m designing again, and was a little bit of a diva and demanded sufficient programming time to make the show look the best that I can. And I’ve got a shitload of books of poetry en route to my domicile, so buy them quick before Suzy kicks my ass for cluttering up the den. Yes, she’s leaning on my shoulder while I’m typing this :). Love you, honey.