by john | Dec 11, 2017 | Promos/Giveaways, Real Life
Hey gang, sorry it’s been radio silent around here for a while, but ye olde brain chemistry had been pretty out of whack and I’ve been struggling to get anything accomplished. But today was a good day, and it’s looking like it might be a good week. Or at least a damned interesting one. I’m being vague, I know, but all will be revealed in the fullness of time, I promise.
But let’s give you an update on Patreon, and what I’m looking at doing starting next month. A week or so ago, Patreon announced that they were changing their fee structure to let the creators keep a larger chunk of their pledges. Great, right?
Wrong.
While we, the creators, will see reduced fees under their new structure, we’re seeing that reduction on the backs of you, our patrons. Whereas in the past, all processing fees and stuff was taken out of my chunk of money before it was sent to me each month, now those fees will be tacked on to your pledges before they are sent to me. So if you are a $1/month patron, it’s now going to cost you $1.38 or so each month to support me. Which sucks. Especially for the ten or so of my $1 patrons who support a bunch of other artists. I had one friend tell me that these changes would add $40 to her monthly pledge budget overall. Because even though Patreon is only getting tagged once for processing the credit cards of patrons, they are tacking the service charge on to every pledge. We call that profit. And shitty.
So while I have no plans to leave Patreon, I plan to change the way that I address Patreon.
Starting January 1, everything that is available on the $1 patron tier will also be available here, on this website, one week later. I’ll find a place to stick a tip jar somewhere in the sidebar of the page, so if you want to drop a buck or two in there every once in a while, you can. But I don’t want my patrons feeling screwed in any way, so if supporting me happens at the expense of dropping another creator, please – drop me first. It’s not that I don’t need the money. I do. But I’ve been selling pretty well the past few months, and I have a couple of things in the hopper that may turn out to be legitimate Big Deals, so I can handle losing a few patrons. Also, a couple of my patrons have either increased their pledges to cover the loss of patrons, or they’ve offered to pay for other people’s pledges. So neither of us is going to lose anything in the long run. I’ll still get the same money, and you’ll still be able to get the same content, just with a slight delay.
Now if you want to continue to support my Patreon, at any level, I will still appreciate the hell out of you. I just don’t want people to feel guilty if they drop me, or to feel like they have to choose between supporting me or another creator.
I will also likely be starting up a subscription service over at Gumroad once they get all their bandwidth sorted. They’ve been a touch overwhelmed the last few days as people seek out alternatives to Patreon.
In other news, it’s probably too late to get autographed books delivered for Christmas, but I do still have a few things in my Inventory Reduction Sale if you want to get some signed stuff before the end of the year. Anything I still have after Christmas will be donated to a local shelter for LGBTQ youth.
And you should all watch ABC this Friday at 11AM. Watch carefully, there may something really cool happening. đ
by john | Nov 30, 2017 | Business of publishing, How to Sell Books
I have a lot of books in my house.
No, I have a shitload of books in my house. Because I do a lot of conventions, and I have a lot of titles. But sometimes, titles get new covers, or get collected into an omnibus, or whatever, and it just doesn’t make sense to keep a lot of these around anymore.
And I need the shelf space.
So here you go – The John/Falstaff End of Year I’ve Got Too Much Shit On My Shelves Sale!
I have a limited number of each of these titles. When they’re gone, they’re gone.
Shipping is Media Mail, US only for $5.
I will ship anywhere in the world, but it’s going to cost an arm and a leg outside the US. Just warning you.
I’ll sign them, I’ll personalize them, I’ll lick the title page, whatever you need (I won’t really lick the title page. That’s kinda nasty).
Here’s what I have –
Hard Day’s Knight – $10 each – 3 in stock
Paint it Black – $10 each – 2 in stock
In the Still of the Knight – $10 – 2 in stock
Calling All Angels – $5 – 1 in stock
Devil Inside – $5 – 1 in stock
Angel Dance – $5 – 1 in stock
Quincy Harker Year One – $15 – 1 in stock (old cover)
Lawless Lands – $12 – 3 in stock (old cover)
Changeling’s Fall – $12 – 1 in stock (old cover)
We Are Not This – $10 – 5 in stock
Get your orders in via email – john@johnhartness.com. I’ll update this page as things sell, and if orders come in while I’m away from the computer, the earliest timestamp on the email wins.
Thanks, and Happy Holidays!
PS – if you want other signed stuff, feel free to put in an order on my Autographed Books page!
by john | Nov 15, 2017 | Business of publishing, Travel
So I’ve now written something like 6,000 words on the different types of conventions, which ones I find to be the most profitable, and how to pick the conventions to attend. There’s one con that I haven’t really addressed, and it’s the biggest one that I do every year, and it deserves its own post.
Yup, Dragon Con.
Dragon Con is the largest convention in the Southeast every year, and one of the largest in the country. With over 75,000 attendees spread out among five host hotels plus the Americas Mart in downtown Atlanta over Labor Day weekend, it boasts a lot of the fun of almost every kind of convention, all rolled up into one.
I treat it like an industry con, because I go there to network with other writers, editors, and publishers.
It is at its heart a fandom con, because almost everyone who works tirelessly year round to make it happen is a volunteer who came from fandom.
You can treat it like an autograph con and drop hundreds of dollars on meeting your favorite celebrity and getting photo ops with them (although you’ll pay less for the privilege at Dragon than at many cons I’ve seen).
If all you want is for it to be an exhibit hall con, then you can spend literally days just shopping the multiple floors of the dealers room.
Or you can treat it like a buffet, and take a little piece of panels, a minute or two of autograph hunting, a slice of networking, and a dollop of vendor room. I would tell people if they could only do one con in a year, do Dragon. It has the mist varied experiences, and the most awesome people-watching of any con I’ve ever been to.
I treat Dragon as two of the major types of con – industry con and fandom con. I have multiple purposes for going to the convention, but I’m not there to sell print books, and I’m not there to get autographs. To be fair, I’m not anywhere to get autographs. Other than signed books and Magic cards, autographs aren’t my thing, so even when I do pop culture or autograph cons, I don’t plop down a pile of money to get my picture taken with someone famous. If that’s your thing awesome, have a ball and I hope that the experience is everything you want it to be. It just ain’t my thing.
I go to Dragon to be on panels, which gets me in front of potentially new fans, and to work the Writers’ Bar. A bunch of us took over the Westin lobby bar a few years ago and staked a claim to it as the Writers’ Bar, and it’s worked out very well. Since it’s a little further away from the madness that is the three “main” hotels (the Marriott, Hyatt, and Hilton are all in a straight line from each other and connected via walkways affectionately referred to as the Habitrails, so those are the most crowded hotels), the Westin bar tends to be a little quieter, and you can usually find a chair. The Westin also houses the Urban Fantasy programming and the Horror programming, which is predominantly where I’m programmed, so it’s really convenient for me, too. I often stay there, as well, although I’ve stayed in three of the five main hotels and they’re all very nice.
I love doing panels at Dragon, because you’re playing with pros, and to a good crowd. The panels are usually stacked with people that are more famous than me (especially since I’m not famous at all), and are experienced panelists. The moderators are almost always excellent, and at their worst, they’re still pretty good. That makes for a good panel. And getting to sit beside some of my writing heroes has made for some incredible experiences for me as a writer. I’ve been on panels with Kim Harrison, Jim Butcher, Laurell K. Hamilton, Mercedes Lackey, and Jonathan Maberry, some of my favorite writers. It doesn’t get much better than that for me. And when I’m on a panel with people that everyone knows, it gives me an opportunity to convert some of their fans into my fans.
I make sure to bring postcards and bookmarks to panels, so that people can have something to remember me by when they get home. I often run out with one or two panels left in the weekend, and that’s the mark of a good Dragon Con for me. I’ve also made some great friends who first met me and read my books because they saw me on panels. And brought me booze. To the panel. Yes, that is a good way to endear yourself to this writer. Bribe me with alcohol. đ
But I’m also there working. This past year at Dragon I got career advice on TV adaptations, had a meeting with  major NY editor, talked about a couple of joint projects with several authors, and recruited several people to write novella series for me at Falstaff. The Mason Dixon Monster Hunter series grew out of a conversation that Eric Asher and I had after a panel, and it’s been a good project for both of us. So I spend a lot of time in the bar, not just because I like to drink (which I do), but because that’s where work gets done. I’ll nurse a beer for hours while I talk to new writers about what’s going on in their lives, reconnect with old friends that I only get to see once or twice a year, and chat with folks about the general state of the industry. In that sense, I treat Dragon like as much of an industry con as any other, even though it’s not designed that way. But when you get that many writers, publishers, and editors in one place, deals are gonna go down.
So if you can handle 75,000+ people in one downtown area over four days, you owe it to yourself to try Dragon at least once. If crowds give you trouble, you should probably stay home. There’s no harm in that, either. Taking care of yourself is one of the most important things to learn about the convention life.
So I hope this little series has been useful, and that some of these tips on picking a convention will help you decide on where your budget needs to go. I generally advise a good mix of the trade show/comic cons with the fandom cons, with maybe one industry con and Dragon Con thrown in there. If you want to do the pop culture cons and autograph cons, go for it, but understand that those are not the place to develop your true fans, no matter how many paperbacks you sling in a weekend.
And that’s what it’s all about – developing your True Fans.
I’ll be back next week to talk about something other than cons for a while, despite the fact that I’ll be at Atomacon this weekend. So if you’re in Charleston, come see me!
by john | Nov 13, 2017 | Angel in the Dust, Serialized Fiction, Writing
Another chapter in the serial. No, I have no real idea where this whole thing is going. You’re all just along for the ride with me.Â
Chapter 6
I reckon it was a few minutes before noon when I followed Graves out to the courtyard of the inn, or bar, or whatever you want to call it. It was hot enough to melt the leather right off your shoes, and the dry desert heat made the concrete shimmer. âWhat are we gonna do?â I asked.
âWe ainât gonna do nothing. I am gonna talk to the Sheriff, and maybe kill him. Or maybe heâll kill me. Or maybe, just maybe, we can come to some kind of understanding that doesnât leave one of us lying in a pool of blood and brains.â
âBut you doubt it.â
âBut I doubt it.â Graves was dressed as much like a man going to meet his bride as a man going to meet his Maker. He shaved when he got up that morning, something he only did on Sundays most weeks. I still didnât need to shave even that often. He wore a clean pair of pants, with leather chaps and his good riding boots, not the low-heeled things he usually wore when we were in town. His shirt was black, and not the worn-out faded black that clothes get when they spend years in the sun. No, this was a deep, midnight black of dark water at low tide, or a patch of starless sky. He even took special effort to brush the worst of the dirt off his hat, and ran a damp rag along the felt to clean it up as best he could.
Around his neck hung his Bullet. On a black leather cord, his Bullet lay outside his shirt, painted jet black just like his shirt and his boots. Iâd never seen Graves wear his Bullet in plain view like that. Most of the time he kept it tucked inside his clothes, touching his flesh. I asked him why one time, and he said âDeath come to us all, Wayland. It might as well be warm when it gets here.â Ever since that day, I wore my Bullet next to my skin, too.
We donât wear badges. Badges are for Sheriffs and Deputies. Badges are for laws. We ainât about the law. Weâre about justice, which sometimes rides alongside the law, but it ainât never the same thing. But every Brother, somewhere on his person, will have a black-painted Bullet to remind him of who he is, what he has sworn to uphold, and what will someday end him. Graves knew his day was going to end with a bullet, he just wasnât sure who was going to catch it.
I reckon we stood in that baked concrete courtyard for most of half an hour before a string of six men on horses charged in like their asses was on fire and we had the only trough of water. They were all big men, Hybrids every one of them, with the jeweled eyes, high features, and delicate bones of the Voltarr-Human interbreeding. Every one of them wore a badge. They were all men of the law, and I had a bad feeling they didnât give a damn about justice. The Deputies made a ring around Graves and me, their horses pawing and stomping and snorting inches away from our faces. Graves stood like a statue, looking at the mouth of the alley. He wasnât worried about the warmup, he was waiting for the Main Event.
And the Main Event walked down the alley mere moments after the Deputies peeled off from surrounding us and formed up in an orderly rank of six men on the far side of the plaza, The Sheriff, and even before I caught sight of his badge there was no question thatâs who this was, walked down the alley slowly, his spurs jingling with every step like a metronome. ChingâŚChingâŚChingâŚChing. He stepped into view, and even for somebody who spent the last three years dealing with some of the worst sons of bitches in the West, he was an intimidating figure. It was apparent even as he stalked through the shadowed alley that he was a full Voltarr. That put him over seven feet tall, with a delicate face almost like a womanâs, only even finer in the details, and an upswept hairless skull under his black Stetson. His long arms swung down almost to his knees, and each of his fingers was longer than my hand. He moved with a lethal grace, like vids Iâd seen of tigers, almost gliding with every step.
Iâd never seen a full Voltarr before. Most towns have Hybrid Sheriffs, and some just have a Deputy. Some of them are Hybrid, but some are even full Human. Having a trueblood alien as Sheriff said something about the value Carson City held for our occupying lords and masters. His jaw swept down just like his skull swept up, and came almost to a point with his narrow mouth and chin. The dominant feature of his face was the huge pair of emerald-green faceted eyes that were in constant motion, flicking up and down Graves, then over to his men, then at me for half a glance before dismissing me as no threat. ChingâŚChingâŚChing.
He came to a stop ten yards across the courtyard, his cloak billowing royal blue in the slight breeze. âYou were told never to return to Carson City, Brother Simon Graves.â It wasnât a question, just a pronouncement of fact.
âYeah, but I figured since the man who said that was dead, it probably didnât matter none.â My head whipped over to Graves, and Iâm sure the look of shock on my face was hilarious. Iâd never known this man to provoke anyone, and now heâs bringing up the fact that he killed the Sheriffâs father in front of everyone.
âYou were warned about the consequences should you return,â the Sheriffâs voice never wavered, never changed cadence. He just went on with his proclamations like Graves didnât speak.
âNow you are here, and found guilty of criminal trespass, and unauthorized return from banishment, which is the violation of a direct order from a duly appointed Sheriff. You are a lawbreaker, Brother Graves, and I am here to hand down your sentence. Do you have anything to say for yourself before I pass judgement on you?â
Graves stood up straighter, if that was possible, and looked across the courtyard. âI do not acknowledge your appointment, your authority, the authority of these thugs you brought with you, or the authority of the bug-eyed bastards who dropped you off here. I do not give a good goddamn about your laws, or your rules, or your desires. I am a Brother of the Gun, and I bring succor with my left hand and call down Justice with my right. And I will kill you and every piece of half-alien trash youâve got if any one of you thinks to clear leather on me.â
Graves was usually the level-headed one. For him to throw down a gauntlet like that, he had some kind of score to settle with this Sheriff. It didnât matter what kind of grievance he had, through, because his words lit a fire in the Sheriff and his men. They drew as one, and as they reached for their guns, time slowed to molasses. Everything kept moving, but at a crawl, as if my mind sped up and the rest of the world kept right on at its normal pace.
The nearest Deputyâs palm slid into the crook of his gun, the webbing between his thumb and forefinger nestling right behind the hammer on his pistol as his fingers grazed the leather of his holster. Over his shoulder, I saw the man next to him reach across his body for his pistol, slung low across his waist in a fancy-looking cross-draw rig that improved neither speed nor accuracy. Just inside the periphery of my vision, I registered a bunch of faces disappearing from windows and ducking back behind doorjambs as the whores and drunkards took cover.
I drew my Colt and stepped up to Gravesâ side. His pistol was already barking, taking the first Deputy to draw in the meat of his thigh. The man went down with a strangled curse, his gun falling to the dirt beside him. Graves put his left hand out on the barrel of my Colt, pushing my arm down until it pointed at the ground. âThe rest of your men donât have to die, Sheriff. You can just haul the stupid one out of here, patch him up, and pretend like we never saw each other.â
âWhy would I do that, Brother Graves?â The Sheriff asked, his high-pitched voice and heavily accented speech making him sound even more alien than he looked. The voice just didnât fit the body, which fit with what Iâd alway heard about the Voltarr, that they talked like fingernails on a chalkboard.
âBecause youâre a ratfucking alien coward like your chickenshit father, maybe?â Graves said, the smile creeping across his face telling me that he never wanted to avoid violence at all, that he wanted to kill these men â all of them, and nothing I could say would change that.
The Sheriff didnât respond to the latest insult, just drew his own pistol and fired. Graves was on the move before the alien cleared leather, putting bullets in two more Deputies before they even knew the fight was underway. I knew how it was going to unfold, Graves and I had practiced this kind of scenario before, when he was teaching me. He went right, aiming for easier center body shots instead of the more definite kills of a head shot. I went left, taking the side with the downed Deputy, and fired six times in half as many seconds. Two Deputies went down, but the third kept his head, and almost took mine because of it. He led me as I sprinted left, and put a round right in the center of my chest.
I tumbled up onto a porch and collapsed behind a water barrel, prodding at my chest with wondering fingers. I found a bruise, but no blood. The strange vest Graves made me put on before we left the bar had done its job. I was still alive, but from the shooting still going on around me, that wouldnât last long if I didnât do something, and fast. I took a second to reload, then got up on one knee and rested my Colt on the top of the barrel. My ribs felt like Hellâs own fire was burning in my chest, but I was alive.
The scene that greeted me was a grim and bloody one. Five of the six Deputies were dead, and the last one, the first man Graves shot, was on his knees with his empty hands high above his head. Graves stood over him, his Colt leveled at the blubbering manâs head. The Sheriff stood unmoved in the center of the courtyard, unfazed by the carnage scattered around him.
âThese six deaths are on you, Sheriff. These deaths are the legacy your father left you. This blood is the payment for his sins and yours, and it isnât near enough to wash this town clean.â
âI have done nothing, Brother Graves. I am the duly appointed Sheriff of Carson City, just like my father before me.â
âYeah,â Graves spat. âYou are just like your father before you. I could see that from the girlâs face when I rode into this courtyard.â
The Sheriff knitted his non-existent brow. âWhat girl? The Hybrid child? She is not of my get.â
âNo, she wouldnât be. But she is yours, nonetheless. Just like all the others Iâve heard tell of, all through NorCal and even into the cities of Advent. The Sheriff and his Hybrids, for sale or rent. You can do whatever you want with âem, because they ainât human, and they ainât Voltarr, so nobody cares, do they?â Graves almost spat the words, and a fury Iâd never seen contorted his face.
âShe is mine, that is correct. I bought her fair and square from her father. I paid him a good horse and two mules for her.â The Sheriffâs voice didnât even change as he talked about buying that little girl just like heâd buy a saddle. I felt my finger tighten on the trigger against my will as I thought of the girl that took my horse to the stable. She was young, far too young to lay with a man, much less be treated the way Graves was talking. Hybrid or no, she was still a person.
âWell, maybe her papa will come back and haul your corpse to be buried on his fine new horse,â Graves said. âUntil then, every complicit son of a bitch is going to die, then Iâm going to put you down like the dog you are.â
âPlease, mister, I didnâtââ The man on the ground didnât even get a chance to get started groveling before Graves put a bullet in his head. He swung his Colt up to the Sheriff, but another shot rang out before he got the gun up. Graves looked confused, then looked down at his belly, where a darker stain grew on his black shirt.
My gaze flicked back to the Sheriff, but his hands were empty. Then I glanced up, and a man stood up on the roof of a nearby building, rifle in his hand. âI got him, Sheriff!â the man called out.
Graves dropped to his knees, his Colt falling to the dirt beside him. My vision went red and I charged out from behind the barrel, murder on my mind and a pistol in my hand.
by john | Nov 9, 2017 | Appearances, Business of publishing, How to Sell Books
This will be the last of my deep-dive posts on the different types of conventions, and next week I’ll do a wrap-up overview kind of post and maybe go over everything I’ve booked for 2018. Spoiler – we’ve over 20 and it’s not even December 2017! And at some point Dragon Con will get its own post because it’s almost every type of con all rolled into one.
This last type of event is my least favorite, and the type that I will frequently avoid. These are the Autograph Cons, or as I unpleasantly (and perhaps unfairly) call them, Starfucker Cons. You’ve seen them, they are conventions where all the promo materials center on the vast number of celebrities they have in attendance, and the whole event is geared around you paying money for an autographed photo.
Now, I know that there are photo opps at a lot of the pop culture cons, like Awesome Con. I know there’s a huge Walk of Fame at Dragon Con. But while you can attend these events for no other reason than to get an autograph, there is so much other stuff going on that I feel you can’t shoehorn those cons into this category.
No, the ones I’m talking about have 2-3 photo/autograph rooms, maybe 1-2 panel rooms with 1-2 panels going on at a time, and a big dealer’s room. These cons are lots of fun for fans of a particular franchise, but not a lot of fun for a writer trying to make back their table rental.
Let’s look at the challenges you’re going to face as a writer at one of these cons. First, there’s no author or artist’s alley, like you’ll find at fandom cons or comic cons. So you’re going to spend the same money as the person selling swords, t-shirts, DVDs, or any other stuff in the dealer room. This is a big jump in price. Tables for artists and authors are usually under $100 unless it’s a very big con. Dealer hall tables at even the smaller autograph cons are usually $300 or more. So that line item on the budget is now tripled.
Since this isn’t a fandom con, there aren’t very many panels. Since this is a con about celebrities, Hulk Hogan is way more likely to be on a panel than half a dozen writers talking about world-building. There’s nothing wrong with that. That’s how this con is built, and that’s what the people buying tickets want to see. But for a writer, it means that unless you wrote a screenplay that got produced and people cared enough about it to make an entire panel at this con for your film, you are not going to have any panel time. So you don’t have that hour in front of a captive audience to show people how charming, witty, and talented you are. So you aren’t building your brand that way, and you don’t have the opportunity to talk about your work on a panel and make people want to come buy your books.
Since you (and any other writers that happen to be there) aren’t the draw for the event, every sale is going to be work. It doesn’t happen often, but sometimes you get the easy ones. One con in particular in Tennessee is famous for having fans that come up to your table with spreadsheets of their book collection and buying everything you have that they don’t already own. Those are the easy sales. “What have you released since BookCon last year?” “These three books.” “I’ll buy them all.” Doesn’t get any easier than that. That doesn’t happen at an event where people are there to get a photo opp with a movie star.
For one thing, photos with celebrities are expensive. The top stars charge over $100 per person for these photos. There’s a whole convoluted process by which they get paid for their appearance and that money comes out of the pictures sold, etc. etc., so don’t go hating on Luke Skywalker just because he charges a bucket of money for his photo. A lot of that is on the con organizer. Even more of it is on the back of the market, because as long as people will pay the fee, people will charge the fee. When $100 photo ops stop making money, prices will fall. But even autographs cost money at these events. You can absolutely have an autographed photo of your favorite star from your favorite show. For a price. And I don’t begrudge these actors their money. They’re lugging around a bunch of expensive photos that they have to buy, so they should get paid for them. But that doesn’t mean you should set up a book table at a con that focuses on autograph sales.
Let’s look at expenses for these cons. Most folks are going to spend a grand or two on their annual vacation, I assume. Back in the day, when I had a “normal” job, and Suzy and I took vacations instead of her just going to a con with me and us staying a day or two longer than the event, it usually cost us about $2k for our big vacation for the year. It’s gonna be $500-800 for airfare, then $500 or so for a few days in a nice hotel, then theatre tickets, eating out every meal, doing some touristy thing, and souvenirs. By the time you get home, you’ve dropped a couple grand on the trip. So if you’ve got a $2,000 budget for a vacation, and this big con is your vacation, here’s how the money is going to break down –
$600 for airfare (ballpark for two tickets)
$500 for hotel ($125/night, four nights)
$400 for food (two people, four days)
That leaves $500 out of your $2,000 budget.
Tickets – $120-200 for the con. This is without any VIP stuff. The earlier you buy the tickets, the cheaper.
Photos – $200 – that gets you a couple of photo ops, or a bunch of autographed stuff.
You have $100 left over to spend in the dealer room.
Getting your hands on part of that $100 is not going to be easy, especially in the early days of the event. By Sunday, people will know what they have spent and what they have left over, but if they have $100, and anything flashier than your books catches their eye, you’re screwed.
So it’s not that people aren’t spending money, it’s just that they are predisposed to spend it with you. This is a great event for people selling t-shirts that relate to the fandom of the show, or other things like that, it’s just a tough weekend for booksellers. I’m not saying I won’t do them. I’ve done Fandom Fest (probably never again), I’ve done Mad Monster Party (not bad), and I’m looking at doing a Supernatural fan event in 2018 (I have a lot of crossover fans). But I’m saying that when I’m building out my year, this is the last type of event that I put into my schedule, and only if it’s local and I feel like I have a good chance of making a return. Because just like the pop culture and comic cons, I don’t have any chance to interact with fans other than talking to them at my table and slinging paperbacks. It’s a long weekend, and it’s usually an expensive weekend. So I need to feel like I’m going to sell a bunch of shit to justify it.
I much prefer the fandom cons, like Atomacon, where I’ll be next weekend. If you’re anywhere near Charleston, SC, you should come see me!
Shameless plug aside, I hope these are helpful. If you have questions, you can reach me through the contact form on the site, you can find me on Facebook, and I also have a FB group. I’m pretty easy to find.
Until next time, I’ll be in the bar.