Convention Report & Analysis – Fayetteville Comic Con

Convention Report & Analysis – Fayetteville Comic Con

Hey y’all!

I’m gonna try something new in an effort to tweak my social media and interwebs presence. I’m going to go back to blogging more and Twittering less, and maybe impart some actual information on folks instead of just screaming into the void. To that end, whenever I attend a convention, I’ll put up one of these blog posts with a convention report and analysis or whether or not it was a worthwhile trip financially, and if there are other reasons that will or will not draw me back to a con.

The first victim of this new idea is Fayetteville Comic Con, where I was last weekend. This was the second year for this convention, and by all anecdotal reports, last year was a rousing success. The show went from one day to two this year, and with attendance in the 8,000 range last year, people were looking for 10-12K going into October.

Then Hurricane Matthew hit. If you aren’t local to the Southeast, you might not be aware that Hurricane Matthew hit Florida, South Carolina, and North Carolina like a motherfucker. There are parts of eastern NC that still aren’t open, and a friend at the show told me that his uncle still takes a boat to get to his house, and FEMA can’t even move in until the flood waters recede. So while there wasn’t a ton of actual wind and storm damage, the flooding in the eastern part of the state was intense.

Needless to say, I had some concerns leading up to the show. I didn’t know if anyone would show up, or if they did, if they’d have any money to spend. I wasn’t on any panels, which was fine, because I’m not accustomed to being on panels at comic book shows, and I was perfectly happy to sit at my table and sell books all day for two days. I was joined at the booth by Emily Lavin Leverett, one of the co-authors of the new Falstaff Books release Changeling’s Fall, and my co-editor on the Big Bad anthologies. She lives not too far from there, so she came down and promoted her book for a couple of days and sold anthologies. I wanted to get copies of Changeling’s Fall for the con, but weather and timing conspired against us.

So let’s start breaking things down as to good, bad, and ugly –

Good

Attendance – for one thing, it was good that people were there at all. It seemed like the overall numbers were about the same as last year, and 8,000 people is certainly a great number for a very young convention, so there were people to see.

Bad 

Revenue – for that many people, a lot of them weren’t spending, and a lot of vendors said they didn’t make anywhere near the money they made last year. This is to be expected in a region that just got hammered with a natural friggin’ disaster! the way I set expectations for what I call “Trade Show Cons,” which is what most comic cons are – big exhibit halls where people are selling stuff all day with maybe a few panels – is fairly simple. In an area that doesn’t have a lot of competition for convention dollars (basically anyplace that isn’t a major metropolitan area) there is probably only one convention of this type each year. That means that once it gets some traction with the local folk, it becomes an event. It’s something people plan for all year long, or at least they keep it in the back of their heads for months in advance. When I attended Heroes Con as my only con each year, I set aside $100-150 to spend at that con. And I expect that most people have a set budget that is their “con money.”

When your fucking house is flooded, that con money becomes “replace my entire home” money. Hell, just being without power for a full day or two is rough – you have to replace every piece of food in your fridge and freezer, and there goes your con money right down the drain.

So there were people, but they weren’t spending like some folks expected. I tempered my expectations to meet the conditions, and for the weekend, I walked away with right about what I expected to see.

Good

Seeing old friends and other writers – Networking is one of the best things about going to conventions, and this time I got to spend time with James Maxey, Chris Kennedy, Kindra Sowder, Jonathan Rosenbaum, and Edd Sowder. I always love hanging out with those guys and getting a chance to swap stories, exchange ideas, and trade information on what is working and what isn’t in our various lines of work.

Bad

Communication – This is a new con, and they’re still ironing some things out, but they’ve got to get better about updating the website and communicating with their guests and vendors. It was hard to get confirmation that I had a space, I didn’t know where my table was until I got there and wandered around looking for it (okay, Emily wandered around looking for it), and I just generally felt like I wasn’t very important to the people running the con. Admittedly, I’m not, but I did pay for the privilege of being there, and getting no communication from the show leading up to the event, not even a “Hey, we’re still happening and here are the road closures leading in to Fayetteville” was a little disconcerting.

Okay

Placement – This con boasted a “Authors Alley,” and I wasn’t part of it. I signed up late, and I needed a whole table, because I have too many titles to share a 6′ table with anyone, so those are the main reasons, but I was never told that I wasn’t going to be in Author’s Alley, which was disappointing. Goes back to the communication thing. It turned out to be a good thing, because the Author’s Alley was more of an Author’s Ghetto, where the writers were stuck out in an unsecured hallway out by the panel rooms, which were sparsely attended. I was in the exhibit hall, on one of the back rows, but I had great traffic all weekend and made decent money. I will happily attend the show again, but that is contingent on me NOT being in Author’s Alley. I want to be somewhere that I can leave my stuff on the table overnight in a secure area, and I want to be where the people are. So what initially appeared to be a negative for me turned out to be a positive for me and a negative for the other authors.

Minor Bonuses

Having a few celebrity guests, like my buddy Santiago Cirilo, was nice in boosting attendance. They had the original Flash Gordon there, and the Skullcrusher dude off Naked & Afraid, so that was kinda neat. It also breaks up the monotony of it being just rows and rows of Pop figurines and comic boxes. I like it when cons bring in a few actors to boost attendance. I wonder exactly how much it does boost attendance, but as long as folks are making their guarantees, I don’t care. As long as the focus of the show remains on the vendors and the fans, and it doesn’t become too much of an autograph hound con, I’m fine with it.

The tables in the vendor area were 8′ tables, which is great. I have a lot of books, and I fill up a 6′ table quick. Having the extra space was super-nice. Loading in wasn’t terrible, even though some of the parking guys were kinda douchey.

Minor Annoyances

The tables were so close together there was no room left to get out between them to go pee or get anything to eat. That’s actually a bigger pain in the ass than you’d expect, because every time somebody has to pee, you end up knocking shit over on either your table or somebody else’s. Cell reception (T-Mobile) wasn’t great, but it held up through the weekend. No power near the booths, but that’s really to be expected in a convention center. The bathrooms could have been cleaner, but that’s not on the con. I would have liked a tablecloth to be provided, or at least to know that it wasn’t. I think my new standard is going to be not to expect a tablecloth at a comic show, and only expect them at programming cons.

Money

That’s what it all boils down to, right? Did I make any money? Will I go back? Well, here are the dirty details.

Let’s look at expenses –

Table Rental – $100 At a lot of cons, I pay for the table. This was one of them.

Hotel – $0 – even with traveling three hours across the state, I had no hotel expense. Thank You, Marriott Rewards points. The Fairfield Inn Fayetteville Cross Creek Mall wasn’t anything glamorous, but the rooms on the third floor have hallways, not just rooms opening to the outside, and the amenities were nice. Little white noise generators in the rooms, and USB charging stations by the bed. Bed sucked, though. Not horrible, but far from great.

Food – $90 (roughly) – I ate really pretty cheaply on this trip. Dinner in the truck on the way out there, then I carried Pop-Tarts and Clif Builder Bars for breakfast and lunch Saturday. Grabbed a slice of pizza, a few pretzels, and a couple sodas in the convention center over two days. Had one nice Mexican dinner with Emily, James, Cheryl, Chris, and Sheellah (I’m sure I butchered that spelling), but overall getting out for less than a hundred bucks in a two day con that involves travel before Day 1 is really good.

Gas – $40 – the truck was EMPTY, so I filled her up. Didn’t use the entire tank, so my guess is about $40 in gas.

Vendor Hall BS – I bought $20 worth of magic cards. Didn’t open anything good. Oh well.

Total Expenses – $250 This was a super-cheap con since I didn’t have a hotel room associated with it.

Gross Sales – $408 – I sold $408 in inventory over the weekend. Figure 50% of that is profit, by the time I buy the books and pay shipping on them. That’s about right overall, given the difference in discounts and pricing, and the royalties I have to pay the writers whose books I sold over the weekend. Net Revenue – $210 (est.)

End Results – $40 loss

Yep, lost money on the con. And it was worth it, because at $40 for a convention, it’s something I can afford in a marketing budget for the year. So this con is definitely worth it, especially next year when I’ll have even more books out for people to pick up, and hopefully there won’t be a devastating natural disaster less than ten days before the convention. If I have to have a room next year, we’ll have to see about either crashing with someone, splitting a room with someone, or staying somewhere on points or super-cheap. Gotta manage expenses, and if I’d paid even $75 per night in a hotel at this one, it wouldn’t have been worth it. That’s why everybody that does this circuit is always scrounging for hotel points and offers, they can really turn a show around for you. The last two comic cons I’ve done, I’ve stayed in hotels on points, so that’s been a huge savings.

The Verdict – I’ll give Fayetteville Comic Con a B+, and will definitely be back next year if at all possible.

If you think this was awesome, feel free to share a link! If you really think it’s awesome, you can go over to my Patreon and sign up! My newest release, Heaven’s Door, is the latest in the Quincy Harker, Demon Hunter series, and is available now on Amazon

Starfuckers and the cons that feed them

Starfuckers and the cons that feed them

I hate starfucker conventions, and I hate most of what they stand for.

There you go, kids, career suicide by a barely midlist genre fiction writer. Just what you wanted for your reading entertainment.

But it’s the truth. I hate the conventions, and you know the ones I mean, where the main focus is getting as many people run through lines to have autographs and photo ops as possible, with the least possible interaction with the people you’re there to “meet.”

For the record, Dragon Con is not what I consider a starfucker con, nor are any of the cons I attend as a guest. That’s not always been the case. Fandom Fest is definitely a starfucker con, with some programming glommed onto the side of it, and a horror con tacked on for good measure. Mad Monster Party is a starfucker con with a badass party attached, and people seem to love it.

I just don’t. If it’s your thing, that’s awesome. If you can actually manage to connect with someone for the ten seconds you get to talk to them, or if you want to support them and thank them with your dollars for the joy they’ve brought into your lives with their work, that’s your choice. For me, I want people to enjoy my work, not the spectacle of meeting me (and God knows meeting me sometimes turns into a goddamn spectacle).

There’s gotten to be a lot of talk all over the place about everybody charging for autographs, all kinds of folks from writers, to comic artists, to Magic:the Gathering Artists, to actors, etc.

Here’s my promise to you – I will never charge money for an autograph on a book that I’ve worked on unless you’re obviously just getting it autographed to increase the value of it. If you’re a fan, and you’ve spent money on my book, or even if you got it as a gift, or just happen to have it, I promise I’ll sign it for free. Personalized or not, your call.

Now if I ever convince someone to hire me to write comics and you show up with a stack of twenty copies of Issue #1 and want them all signed, none personalized, then the first one’s free and we’re gonna have to talk about the other copies you want for eBay.

Because I understand that sometimes people are just in it to monetize a signature, and that’s not cool to the artist/actor/writer/musician. When I did Mad Monster Party a few years ago, I think Corey Feldman was only personalizing thing, he wouldn’t do just a signature. Because he wanted to sign things for his fans, not for eBay. And I respect that. And I understand that people have costs to recoup associated with travelling to cons. God knows I understand, I just dropped almost $2K to go to Dragon Con.

But if you’ve bought something of mine, and aren’t looking to monetize it, then I’m not going to charge for an autograph. I just don’t think it’s right. I also will not charge for photos taken with me, because if you want my ugly mug in your camera, you must really be a fan. And I sure as hell will never charge just to come up to my table and meet me, that to me seems the height if hubris. I do admit that if I’m ever famous enough to where a convention pays for me to be there, and I’m working for the con all weekend, I may not be in charge of what the convention charges for those things. But I won’t ever do it, personally.

This is inspired by a bunch of things that I’ve seen this past year – a blog post by a dad who paid almost $300 to have his kids’ picture taken with the Weasley family from the Harry Potter movies, a comic artist at Heroes Con charging for signatures on anything you didn’t buy from his table, a Magic artist charging for signatures on cards he did the art for, and a general growth across all parts of the creative industry of a desire to get as much out of the fans as we can, all because somebody else is milking them, and they’re willing to pay it.

Well, maybe, just maybe, you should give something back to the fans who allow you to have the life you have. I’m not saying give away free shit, but certainly if someone who loves your work enough to carry a heavy-ass hardback all the way across a convention center to get it signed, give them a little personal attention and a moment of your time, instead of trying to get a couple bucks out of them for the minute and a half you spend with them. You’ll make more in the long run by modeling yourself after folks like Mark Poole, Brandon Sanderson, Pat Conroy, Orson Scott Card and others I’ve seen or heard of staying long after signings to make sure everyone’s stuff is signed, or just folks that are super-accommodating to their fans.

I know this is long, and I know there are parts where I seem to contradict myself, but it’s a complicated issue. At the end of the day, being at a convention is for the fans, and we’re all fans, too. It does us well to remember that, and to wonder how we’d feel if we walked up to a creator with our favorite book, comic, or Magic card, only to be greeted with a sign telling us it’s $3 for a signature.

So before you try to squeeze more blood from the stone of fandom, maybe ask yourself if you’re giving enough back. A lot of you are, but maybe a few could look outside their wallet a little more.

My Dragon Con 2015 Schedule

I’ve got a ton of news and THREE NEW RELEASES THIS MONTH but for now, here’s my DCon schedule. Let me know if I’ll see you there!

 

Title: Pulp Fiction
Description: Pulp has enjoyed a renaissance in the last few years. Why? And why do authors choose to write in this genre?
Time: Fri 01:00 pm  Location: Embassy A-B – Hyatt (Length: 1 Hour)
(Tentative Panelists: Van Allen Plexico, Bobby Nash, James Palmer, John G. Hartness)

Book Signing – The Missing Volume – 2:30 Friday PM

——————-
Title: Supernatural Variety in UF
Description: Authors discuss the array of supernatural beings appearing in their work, and how their choices affect their stories and worlds.
Time: Sat 01:00 pm  Location: Chastain ED – Westin (Length: 1 Hour)
(Tentative Panelists: J. C. Daniels, Jenna Black, Myke Cole, John G. Hartness, Samantha Sommersby, Tamsin L. Silver)

——————-
Title: Hunting Monsters
Description: Whether a job or a calling, our panelists’ protagonists track down and destroy monsters
Time: Sat 05:30 pm  Location: Augusta Ballroom – Westin (Length: 1 Hour)
(Tentative Panelists: Faith Hunter, Larry Correia, Jonathan Maberry, John G. Hartness, Laurell K. Hamilton, James R. Tuck, Carrie Vaughn)

——————-
Title: The History of Pulp Fiction
Description: What is pulp? Where does it come from? Where is it going today?
Time: Sun 10:00 am  Location: Augusta 3 – Westin (Length: 1 Hour)
(Tentative Panelists: James R. Tuck, Bobby Nash, Van Allen Plexico, John G. Hartness)

——————-
Title: Backdrop: Settings and Locales in UF
Description: Our panel of authors discusses how their settings influence their characters and worlds.
Time: Sun 11:30 am  Location: Chastain ED – Westin (Length: 1 Hour)
(Tentative Panelists: Myke Cole, Laura Anne Gilman, Julie Kenner, J. F. Lewis, John G. Hartness, Carrie Vaughn, Jennifer St. Giles)

——————-
Title: Hard-knuckle Horror
Description: Combining the ethos of hard-boiled crime fiction with supernatural terror
Time: Sun 07:00 pm  Location: Peachtree 1-2 – Westin (Length: 1 Hour)
(Tentative Panelists: James R. Tuck, Richard Kadrey, John G. Hartness, John Hornor Jacobs, Kenneth Hite)

——————-
Title: Vampiric Variations
Description: Authors discuss how their choices of vampire mythos & traits inform their characters and worlds.
Time: Mon 11:30 am  Location: Chastain ED – Westin (Length: 1 Hour)
(Tentative Panelists: Samantha Sommersby, Linda Robertson, John G. Hartness, Julie Kenner, Faith Hunter, Sherrilyn Kenyon)

Those who can, do. Those who can’t, teach.

Bullshit.

There, I think that’s enough of a post for one day, right?

No?

Okay, fine, I’ll expand a little. We’ve heard those words uttered for years about various teachers who have failed at various things, and I’m certainly guilty of throwing the phrase around more than once about a professor or two that I’ve had in my day. But now that I’m teaching with something resembling regularity at Carolina Learning Connection (next class Saturday, a few spots still available!), I realize what utter bullshit that is.

I am never focusing more on my writing than when I’m trying to explain writing to someone. This goes for editing as well, but for my post on editing you’ll have to wait until next week when I debut as the newest regular member of the Magical Words blog team! Yep, I’m no longer the pinch-hitter, I’m now a regular member of the team. I’ll be posting every other Thursday, alternating with the amazing and lovely Kalayna Price. So for more craft-specific posts, you’ll be able to find me there.

Eventually. For now, I’ll talk about these classes that I teach. So far, I’ve led three half-day workshops in rotation. One is called The Next Step, and it talks about the various paths to publication for various types of work. Since I’ve published everything from news articles to poetry to novels, I’ve seen a lot of angles of the publishing business in a very short time. The second class that I offer is Self-Publishing for Fun & Profit, where I talk about why people should self-publish, why they should NEVER self-publish, and what to expect if they decide to self-publish. Then I also teach a Social Media and Self-Promotion for the Writer class. This goes into Facebook, Twitter, blogging, why you should, why you shouldn’t, what you should do, what you should never do, and how to avoid my mistakes. :).

And other writers teach as well, frequently much better than me. If you want to see an amazing writing class, check out this YouTube series featuring Brandon Sanderson. 

I have a great time teaching them, and am looking forward to this weekend’s class, but I really do work at these things. It’s not like back-breaking labor, I am sitting in a conference room talking to people for four hours, but the prep is sometimes tough. This weekend we’ll be looking at shrinking markets, as mergers in publishing are going to eventually narrow the number of major publishers even further. And with the timeline of corporate mergers, that narrowing will take place right about the time that books bought by those houses today are ready to drop. That means orphaned books, kiddies, so be careful who you’re submitting to for the next six months or so.

Just a little Nostradamus (sp?) action from your favorite hillbilly.

On a completely different tip, I continue to be amazed at the consistent growth in Bubba book sales. All the collected volumes continue to do well, and I’m very grateful for that. If anybody out there has a hookup with the SyFy channel, feel free to slip a Bubba ebook under the door. I think the series would be so awesome on that network. But that’s beside the point. At last night’s writer’s group I knocked out the outline for Bubba Season 2 Episode 1, called Love Hurts. But gimme your feedback – is that too similar to Love Stinks, which I used last year? Leave a comment and let a brutha know.

I’m also hip-deep in editing clients, and do not have any more slots for edits until the last week of January. So if you have a book ready to go that you want to have drop in March, get on board with me now or we won’t make that deadline. It takes a couple of solid weeks up to a couple of months to get a book polished and ready to go, so don’t find yourself behind the eight ball.

I’m out – got a bunch of freelance stuff due and some invoicing to send out. Also booking some travel. Very excited to have snagged a table at MidSouthCon this year, which I’ll be sharing with the awesome James R. Tuck. If you’re going to be in Memphis, please come by and say hello. And if you’re going to be anywhere in the Raleigh/Durham area next weekend, please come out to Illogicon and say hi! I’ll be there all three days!

NY Comic Con, Part 2 – the whining

So here’s where I actually bitch and moan about NYCC, the Javits Center, New York City, and major metro areas that have no idea how to host a real convention.

In my other life I went to a lot of conventions. Some of them, like the NC Theatre Conference, were very small, maybe a couple hundred people some years. Those have certain challenges to organizers, but once you find a venue, the attendees pretty much have no idea that there are any issues. Some were large, like Lighting Dimensions International (I wave hello to my lighting industry friends who are gathering in Vegas this weekend). These conventions have their own issues, and it doesn’t take much to make them noticeable, because any glitch will affect thousands, or tens of thousands of people. Then there are the huge shows, like the National Association of Broadcasters show, which fills the entire Las Vegas Convention Center every year. These have no room for error, because they are on the biggest stage. NY Comic Con is that kind of size. The size that if there’s anything off or goofy, it could affect the population of a small city.

Like I said, I’ve been to a lot of conventions in a lot of places, and I’ve seen some towns that really understand how to host a convention. Las Vegas and Orlando really understand what it takes to host a convention.

New York City has no clue.

Don’t get me wrong. I don’t hate New York. I wouldn’t want to live there for very long, I don’t like cold weather and I don’t like crowds that much. But I like New York. And going into this adventure I figured it would be no huge hassle to get everything loaded in, loaded out, make commerce happen, what have you.

That was when I assumed New York knows how to host a major convention.

I think I know why NYC doesn’t understand how to host a major con or trade show – population density. If there were 110,000 people at NYCC, probably 80,000 of them were from the greater NYC area. If there are 90,000 people attending NAB in Las Vegas, 80,000 of them were from outside the Las Vegas metro area.

This lack of outside guests means that New York doesn’t have one of the most important things any city must have for a convention center – a convention hotel. I’ve never been to a convention center anywhere in the US where there isn’t a hotel within a short walk. And I don’t mean a New York short walk, I mean a Kansas short walk. More than two blocks is not a short walk. And there’s no major hotel near the Javits Center. None.

There’s also no subway stop close by. The nearest subway station is right outside Penn Station, which is about 3/4 of a mile away. Not a huge deal under normal circumstances, unless you’ve been standing on concrete in boots all day, or are wearing an elaborate costume, or are just friggin’ tired, or want to start your day at a con looking fresh! Yeah, yeah, I know – there’s one under construction. But here’s the thing – the Javits Center ain’t exactly new! It’s been open almost 30 years!

Then there are the cabs. Yeah, I know, take a taxi. Sure – if they’ll stop. There was no cab stand outside the main exit for the convention center, and none of the cabs we saw in the evenings outside the convention center were on duty. Contrast this with the Las Vegas Convention Center, where there are huge lines of cabs with cab attendants pairing people up to cab share so the lines move more quickly and people can save cash on cabs.

All of these things combined to make Comic Con just a less pleasant experience than it could be if it weren’t in one of the largest cities in the US. In almost any other city, the influx of 100,000 people for one event would get the entire city’s attention. Red carpets would be rolled out, cheap hotel rooms would be flowing like water, and every cabbie in the city would be salivating at all those tourist dollars. In New York, they call that Tuesday.

So until there’s a convention hotel near the Javits, or a subway stop right outside, or someone is willing to foot my bill for cab and car fare all weekend, I’ll be sticking to the smaller cons. Like Dragon*Con, which only has 50-60,000 people. 🙂

I am planning my convention schedule for 2013, so if you’ve got a great con in your area that you’d like to see me at, drop me a line and we’ll see what we can do.

NY Comic Con report, Part 1

NY Comic Con report, Part 1

Because when there’s over 100,000 frigging people at a convention, it gets more than one post! And yes, there will be photos. And yes, most of them will be of hot chicks in skimpy outfits.

Let’s start with a quick overview. If you’ve been to many fandom-based conventions, like MidSouth Con, ConCarolinas, even Dragon*Con, you ain’t seen nothing like Comic Con. It’s way more of a trade show than a con. What I mean by that is that people mostly buy their Comic Con tickets for the exhibit hall and the autographs, and the panels are kind of an afterthought. There were exhibits from Xbox, Marvel, DC, Legendary Pictures, Dark Horse, Chevrolet, Craftsman Tools.

Yeah, I said Chevy and Craftsman had booths at Comic Con. Now do you get what I mean by this was a trade show and not a normal con? Craftsman paid someone to write and draw and custom comic book with their superhero in it to promote their Bolt-On series of tools.

Take a minute and go there. The first time I saw “Bolt-On Tool” I went there. Couldn’t help it.

So it was a very different environment for me than most cons. I kinda knew what to expect, having done the Heroes Con for a couple of years. But this was way, WAY bigger. Like 4X bigger. And that meant that it was easy to miss stuff, like a small book booth. Or like Artists’ Alley, which I never set foot in all weekend. Or the panel rooms, which I never saw.

And missed out on a chance to meet Kim Harrison, which was a bummer. But there will be other cons, and hopefully she will attend some of them. But I did see Richard Kadrey and had a nice chat with him on Sunday, so that was nice.

But I sold almost everything I took with me. I had about a dozen books left when the show was over, so that was good. I was mostly pushing the Black Knight Omnibus, because it’s new and shiny. And looks amazing!

 

I took 50 copies of the omnibus with me, and sold 40 of them. I sold out of Genesis and The Chosen, and had 2 copies of Bump in the Night left at the end of the weekend. So it was a good weekend for sales. I even sold a couple of Read Recklessly t-shirts!

But I won’t be doing NY Comic Con again any time soon.

It’s a really expensive show, because everything in New York is expensive. And it’s not a wonderfully organized show, and there aren’t really very many opportunities for me to really connect with fans, other than pitching them a book. And while that’s fun, it’s not as much fun as sitting on a bunch of panels and talking about the craft.

And I’m trying to cut back (a little bit) on the number of shows I do. I’m already committed to nine cons next year, with a couple of other maybes, and that’s a bunch. It gets expensive, and while some of the cons I can split rooms with folks and ride share for gas, I can’t always count on that. The only way I was able to afford NYCC was because my awesome friend Tamsin let me sleep in her spare room for the weekend and shepherded me around the subway. Otherwise it would have cost half again as much as Dragon*Con!

But I had a good time. I met some awesome folks, a couple of whom have already dropped me a line on Facebook or email, so I hope I can get scheduled into some smaller con in the Northeast soon. Just not a con with 100,000 people. That’s way too big for this old country boy!

But check out some of the costumes!