2017 Hugo and Nebula Awards Eligibility

It’s awards time, and the following books are eligible for recognition from the Hugo and/or Nebula Awards. If you are an eligible nominator, and would like to nominate one of these works, here’s the list of eligible publications by Falstaff Books from 2017 –

Novels – Amazing Grace – John G. Hartness

Fireheart – John G. Hartness

 

Novellas – Into the Mystic – John G. Hartness

Frost & Filigree – John G. Hartness

Cold as Ice – John G. Hartness

Mason Dixon, Monster Hunter – Eric R. Asher

Mason Dixon and the Wampus of Reeds Spring – Eric R. Asher

Spells, Salt, & Steel – Gail Z. Martin & Larry N. Martin

Tweety & the Monkey Man – J.D. Blackrose

Caitlin Kelley, Monster Hunter – Theresa Glover

Of Shade and Soul – A.G. Carpenter

Of Flesh and Bone – A.G. Carpenter

Gods & Monsters: A Shadow Council Archives Novella  -S.H. Roddey

The Depths of Time: A Shadow Council Archives Novella – James Palmer

Calling All Angels – John G. Hartness

Devil Inside – John G. Hartness

Angel Dance – John G. Hartness

Running with the Devil – John G. Hartness

Souls Collide– J.D. Blackrose

Souls Fall– J.D. Blackrose

Souls Rise– J.D. Blackrose

Souls Unite– J.D. Blackrose

 

Short Stories – Jazz City Blues: A Quincy Harker History – John G. Hartness

Aubrey Campbell – Desert Gods (Lawless Lands)

Matthew J. Hockey – Railroad (Lawless Lands)

Seanan McGuire – Pixie Season (Lawless Lands)

David B. Coe – Lost Words (Lawless Lands)

Laura Anne Gilman – Boots of Clay (Lawless Lands)

Jo Gerrard – Trickster’s Choice (Lawless Lands)

Gunnar de Winter – To Hear a Howling Herd (Lawless Lands)

Pamela Jeffs – Cards and Steel Hearts (Lawless Lands)

A.E. Decker – Bloodsilver (Lawless Lands)

Nicole Givens Kurtz – Belly Speaker

John G. Hartness – Walk the Dinosaur

Barb Hendee – The Time Traveling Schoolmarms of Marlborough County

Margaret S. McGraw – Rainmaker

Jeffrey Hall – Out of Luck

 

 

Novelette – Faith Hunter – Wolves Howling in the Night (Lawless Lands)

Edmund Schubert – Calliope Stark: Bone Tree Bounty Hunter (Lawless Lands)

Dave Beynon – The Stranger in the Glass (Lawless Lands)

Jake Bible – Rollin’ Death (Lawless Lands)

 

Hugo Only – Best Editor (Short Form) – Emily Lavin Leverett

Best Editor (Short Form) – Melissa McArthur Gilbert

End of Year Signed Inventory Reduction Sale!

End of Year Signed Inventory Reduction Sale!

I have a lot of books in my house.

No, I have a shitload of books in my house. Because I do a lot of conventions, and I have a lot of titles. But sometimes, titles get new covers, or get collected into an omnibus, or whatever, and it just doesn’t make sense to keep a lot of these around anymore.

And I need the shelf space.

So here you go – The John/Falstaff End of Year I’ve Got Too Much Shit On My Shelves Sale!

I have a limited number of each of these titles. When they’re gone, they’re gone.

Shipping is Media Mail, US only for $5.

I will ship anywhere in the world, but it’s going to cost an arm and a leg outside the US. Just warning you.

I’ll sign them, I’ll personalize them, I’ll lick the title page, whatever you need (I won’t really lick the title page. That’s kinda nasty).

Here’s what I have –

Hard Day’s Knight – $10 each – 3 in stock

Paint it Black – $10 each – 2 in stock

In the Still of the Knight – $10 – 2 in stock

Calling All Angels – $5 – 1 in stock

Devil Inside – $5 – 1 in stock

Angel Dance – $5 – 1 in stock

Quincy Harker Year One – $15 – 1 in stock (old cover)

Lawless Lands – $12 – 3 in stock (old cover)

Changeling’s Fall – $12 – 1 in stock (old cover)

We Are Not This – $10 – 5 in stock

Get your orders in via email – john@johnhartness.com. I’ll update this page as things sell, and if orders come in while I’m away from the computer, the earliest timestamp on the email wins.

Thanks, and Happy Holidays!

PS – if you want other signed stuff, feel free to put in an order on my Autographed Books page!

Help Selling More Books – To Con or Not to Con? Conclusion (get it? CON-clusion…never mind)

Help Selling More Books – To Con or Not to Con? Conclusion (get it? CON-clusion…never mind)

So I’ve now written something like 6,000 words on the different types of conventions, which ones I find to be the most profitable, and how to pick the conventions to attend. There’s one con that I haven’t really addressed, and it’s the biggest one that I do every year, and it deserves its own post.

Yup, Dragon Con.

Dragon Con is the largest convention in the Southeast every year, and one of the largest in the country. With over 75,000 attendees spread out among five host hotels plus the Americas Mart in downtown Atlanta over Labor Day weekend, it boasts a lot of the fun of almost every kind of convention, all rolled up into one.

I treat it like an industry con, because I go there to network with other writers, editors, and publishers.

It is at its heart a fandom con, because almost everyone who works tirelessly year round to make it happen is a volunteer who came from fandom.

You can treat it like an autograph con and drop hundreds of dollars on meeting your favorite celebrity and getting photo ops with them (although you’ll pay less for the privilege at Dragon than at many cons I’ve seen).

If all you want is for it to be an exhibit hall con, then you can spend literally days just shopping the multiple floors of the dealers room.

Or you can treat it like a buffet, and take a little piece of panels, a minute or two of autograph hunting, a slice of networking, and a dollop of vendor room. I would tell people if they could only do one con in a year, do Dragon. It has the mist varied experiences, and the most awesome people-watching of any con I’ve ever been to.

I treat Dragon as two of the major types of con – industry con and fandom con. I have multiple purposes for going to the convention, but I’m not there to sell print books, and I’m not there to get autographs. To be fair, I’m not anywhere to get autographs. Other than signed books and Magic cards, autographs aren’t my thing, so even when I do pop culture or autograph cons, I don’t plop down a pile of money to get my picture taken with someone famous. If that’s your thing awesome, have a ball and I hope that the experience is everything you want it to be. It just ain’t my thing.

I go to Dragon to be on panels, which gets me in front of potentially new fans, and to work the Writers’ Bar. A bunch of us took over the Westin lobby bar a few years ago and staked a claim to it as the Writers’ Bar, and it’s worked out very well. Since it’s a little further away from the madness that is the three “main” hotels (the Marriott, Hyatt, and Hilton are all in a straight line from each other and connected via walkways affectionately referred to as the Habitrails, so those are the most crowded hotels), the Westin bar tends to be a little quieter, and you can usually find a chair. The Westin also houses the Urban Fantasy programming and the Horror programming, which is predominantly where I’m programmed, so it’s really convenient for me, too. I often stay there, as well, although I’ve stayed in three of the five main hotels and they’re all very nice.

I love doing panels at Dragon, because you’re playing with pros, and to a good crowd. The panels are usually stacked with people that are more famous than me (especially since I’m not famous at all), and are experienced panelists. The moderators are almost always excellent, and at their worst, they’re still pretty good. That makes for a good panel. And getting to sit beside some of my writing heroes has made for some incredible experiences for me as a writer. I’ve been on panels with Kim Harrison, Jim Butcher, Laurell K. Hamilton, Mercedes Lackey, and Jonathan Maberry, some of my favorite writers. It doesn’t get much better than that for me. And when I’m on a panel with people that everyone knows, it gives me an opportunity to convert some of their fans into my fans.

I make sure to bring postcards and bookmarks to panels, so that people can have something to remember me by when they get home. I often run out with one or two panels left in the weekend, and that’s the mark of a good Dragon Con for me. I’ve also made some great friends who first met me and read my books because they saw me on panels. And brought me booze. To the panel. Yes, that is a good way to endear yourself to this writer. Bribe me with alcohol. 🙂

But I’m also there working. This past year at Dragon I got career advice on TV adaptations, had a meeting with  major NY editor, talked about a couple of joint projects with several authors, and recruited several people to write novella series for me at Falstaff. The Mason Dixon Monster Hunter series grew out of a conversation that Eric Asher and I had after a panel, and it’s been a good project for both of us. So I spend a lot of time in the bar, not just because I like to drink (which I do), but because that’s where work gets done. I’ll nurse a beer for hours while I talk to new writers about what’s going on in their lives, reconnect with old friends that I only get to see once or twice a year, and chat with folks about the general state of the industry. In that sense, I treat Dragon like as much of an industry con as any other, even though it’s not designed that way. But when you get that many writers, publishers, and editors in one place, deals are gonna go down.

So if you can handle 75,000+ people in one downtown area over four days, you owe it to yourself to try Dragon at least once. If crowds give you trouble, you should probably stay home. There’s no harm in that, either. Taking care of yourself is one of the most important things to learn about the convention life.

So I hope this little series has been useful, and that some of these tips on picking a convention will help you decide on where your budget needs to go. I generally advise a good mix of the trade show/comic cons with the fandom cons, with maybe one industry con and Dragon Con thrown in there. If you want to do the pop culture cons and autograph cons, go for it, but understand that those are not the place to develop your true fans, no matter how many paperbacks you sling in a weekend.

And that’s what it’s all about – developing your True Fans.

I’ll be back next week to talk about something other than cons for a while, despite the fact that I’ll be at Atomacon this weekend. So if you’re in Charleston, come see me!

Help Selling More Books – To Con or Not to Con? Conclusion (get it? CON-clusion…never mind)

Help Selling More Books – To Con or Not to Con? Part 5 – Autograph Cons

This will be the last of my deep-dive posts on the different types of conventions, and next week I’ll do a wrap-up overview kind of post and maybe go over everything I’ve booked for 2018. Spoiler – we’ve over 20 and it’s not even December 2017! And at some point Dragon Con will get its own post because it’s almost every type of con all rolled into one.

This last type of event is my least favorite, and the type that I will frequently avoid. These are the Autograph Cons, or as I unpleasantly (and perhaps unfairly) call them, Starfucker Cons. You’ve seen them, they are conventions where all the promo materials center on the vast number of celebrities they have in attendance, and the whole event is geared around you paying money for an autographed photo.

Now, I know that there are photo opps at a lot of the pop culture cons, like Awesome Con. I know there’s a huge Walk of Fame at Dragon Con. But while you can attend these events for no other reason than to get an autograph, there is so much other stuff going on that I feel you can’t shoehorn those cons into this category.

No, the ones I’m talking about have 2-3 photo/autograph rooms, maybe 1-2 panel rooms with 1-2 panels going on at a time, and a big dealer’s room. These cons are lots of fun for fans of a particular franchise, but not a lot of fun for a writer trying to make back their table rental.

Let’s look at the challenges you’re going to face as a writer at one of these cons. First, there’s no author or artist’s alley, like you’ll find at fandom cons or comic cons. So you’re going to spend the same money as the person selling swords, t-shirts, DVDs, or any other stuff in the dealer room. This is a big jump in price. Tables for artists and authors are usually under $100 unless it’s a very big con. Dealer hall tables at even the smaller autograph cons are usually $300 or more. So that line item on the budget is now tripled.

Since this isn’t a fandom con, there aren’t very many panels. Since this is a con about celebrities, Hulk Hogan is way more likely to be on a panel than half a dozen writers talking about world-building. There’s nothing wrong with that. That’s how this con is built, and that’s what the people buying tickets want to see. But for a writer, it means that unless you wrote a screenplay that got produced and people cared enough about it to make an entire panel at this con for your film, you are not going to have any panel time. So you don’t have that hour in front of a captive audience to show people how charming, witty, and talented you are. So you aren’t building your brand that way, and you don’t have the opportunity to talk about your work on a panel and make people want to come buy your books.

Since you (and any other writers that happen to be there) aren’t the draw for the event, every sale is going to be work. It doesn’t happen often, but sometimes you get the easy ones. One con in particular in Tennessee is famous for having fans that come up to your table with spreadsheets of their book collection and buying everything you have that they don’t already own. Those are the easy sales. “What have you released since BookCon last year?” “These three books.” “I’ll buy them all.” Doesn’t get any easier than that. That doesn’t happen at an event where people are there to get a photo opp with a movie star.

For one thing, photos with celebrities are expensive. The top stars charge over $100 per person for these photos. There’s a whole convoluted process by which they get paid for their appearance and that money comes out of the pictures sold, etc. etc., so don’t go hating on Luke Skywalker just because he charges a bucket of money for his photo. A lot of that is on the con organizer. Even more of it is on the back of the market, because as long as people will pay the fee, people will charge the fee. When $100 photo ops stop making money, prices will fall. But even autographs cost money at these events. You can absolutely have an autographed photo of your favorite star from your favorite show. For a price. And I don’t begrudge these actors their money. They’re lugging around a bunch of expensive photos that they have to buy, so they should get paid for them. But that doesn’t mean you should set up a book table at a con that focuses on autograph sales.

Let’s look at expenses for these cons. Most folks are going to spend a grand or two on their annual vacation, I assume. Back in the day, when I had a “normal” job, and Suzy and I took vacations instead of her just going to a con with me and us staying a day or two longer than the event, it usually cost us about $2k for our big vacation for the year. It’s gonna be $500-800 for airfare, then $500 or so for a few days in a nice hotel, then theatre tickets, eating out every meal, doing some touristy thing, and souvenirs. By the time you get home, you’ve dropped a couple grand on the trip. So if you’ve got a $2,000 budget for a vacation, and this big con is your vacation, here’s how the money is going to break down –

$600 for airfare (ballpark for two tickets)

$500 for hotel ($125/night, four nights)

$400 for food (two people, four days)

That leaves $500 out of your $2,000 budget.

Tickets – $120-200 for the con. This is without any VIP stuff. The earlier you buy the tickets, the cheaper.

Photos – $200 – that gets you a couple of photo ops, or a bunch of autographed stuff.

You have $100 left over to spend in the dealer room.

Getting your hands on part of that $100 is not going to be easy, especially in the early days of the event. By Sunday, people will know what they have spent and what they have left over, but if they have $100, and anything flashier than your books catches their eye, you’re screwed.

So it’s not that people aren’t spending money, it’s just that they are predisposed to spend it with you. This is a great event for people selling t-shirts that relate to the fandom of the show, or other things like that, it’s just a tough weekend for booksellers. I’m not saying I won’t do them. I’ve done Fandom Fest (probably never again), I’ve done Mad Monster Party (not bad), and I’m looking at doing a Supernatural fan event in 2018 (I have a lot of crossover fans). But I’m saying that when I’m building out my year, this is the last type of event that I put into my schedule, and only if it’s local and I feel like I have a good chance of making a return. Because just like the pop culture and comic cons, I don’t have any chance to interact with fans other than talking to them at my table and slinging paperbacks. It’s a long weekend, and it’s usually an expensive weekend. So I need to feel like I’m going to sell a bunch of shit to justify it.

I much prefer the fandom cons, like Atomacon, where I’ll be next weekend. If you’re anywhere near Charleston, SC, you should come see me!

Shameless plug aside, I hope these are helpful. If you have questions, you can reach me through the contact form on the site, you can find me on Facebook, and I also have a FB group. I’m pretty easy to find.

Until next time, I’ll be in the bar.

Help Selling More Books – To Con or Not to Con? Conclusion (get it? CON-clusion…never mind)

Help Selling More Books – To Con or Not To Con? Part 4 – Pop Culture Cons

This is kind of a new phenomenon in the past decade or so since geek chic has been a thing. I know, several of the cons I’m going to talk about have been around much longer, but they morphed from comic cons into a Pop Culture Con. Many of them still bill themselves as Comic Cons, but only tangentially hold onto that premise.

When I talk about a pop culture con, I’m talking Sand Diego Comicon, NY Comicon, AwesomeCon, Spooky Empire (although it’s a little more horror-centric, it’s still a big pop culture thing, just with a horror slant to it) – that kind of event. The kind of con where there is a big vendor hall, with lots of vendors, some artists, maybe a few authors sprinkled in, a metric butt-ton of autograph guests, and a decent panel schedule. These almost always take place in major cities, and are almost always in major convention centers.

These behave a lot like the smaller comic cons and vendor hall cons in that your purpose there is to sling paperbacks. This is a place where everything is expensive, so you’d better bring a bunch of inventory, and be ready to sell, sell, sell. And that might get you a return on your investment, but don’t hold your breath. I did NY Comicon several years ago, split a booth with two other writers, and sold a thousand dollars worth of books.

I almost broke even.

And that’s with me sleeping in a friend’s guest room and splitting the booth three ways. Shit was expensive. That said, I did AwesomeCon in DC last year, and sold quite well. I also didn’t have a plane ticket to deal with, and the booth was way cheaper. So it’s a balancing act.

These are the only cons I do not recommend new authors do. If you only have one title out, you’re going to have such a hard time moving enough product to break even that it’s almost impossible. Also, with only one book, you don’t have any potential for followup sales the week after the con, because the people who meet you will have already bought all your stuff! I wouldn’t look to hit these bigger events until I had three or more books under my belt, unless I could sit in a booth with someone for free, and I didn’t have to pay for any travel expenses.

The signal to noise ratio at the pop culture cons is challenging, because there is just so much going on in the vendor hall that the number of people who say they’ll come back and actually do is even lower than normal (and normal it might be 20%). It’s such an uncommon thing that Stuart Jaffe and I even remarked on how surprised we were that people at AwesomeCon actually did come back and buy things later in the weekend. It happened to us several times over the three days of the event, much more frequently than we expected. So, good on you, DC fans!

Another challenge with the pop culture shows is that you’re the last thing on the fans’ wish list. If they showed up specifically to get Stan Lee’s autograph, then that’s $100 that’s going to Stan the Man, and you’re never seeing it. After they spend $20 to park, $20 on lunch, $50 on a badge, and $100 on Stan’s autograph, it’s going to be difficult to pry $15 for a paperback out of them. So while there’s a lot of money walking around the show floor, getting any of it into your pocket can be difficult.

This probably sounds like I don’t like pop culture cons, and don’t want to do them, and that’s not correct. I don’t want to do them every weekend, or even every month, but I do want to do 2-4 each year. These big destination cons give me a chance to hit large cities that I might not get to each year, and I am at a point now that I have fans in most major metro areas in the US, so I’ll have a few people come out and say hi even at the biggest events. In 2018, I’m doing Emerald City Comicon for the first time, and I’m looking at AwesomeCon and C2E2. That’s three, and that’s plenty of those for me. Maybe after my TV series hits and I’m getting flown around to all these cons like the cast of Arrow, I’ll reconsider. But if that ever happens, I’ll have plenty of things to reconsider. 🙂

No, I don’t have a TV deal. But if anyone wants to make one, hit me up. I’m open to the possibility. 🙂

I think pop culture cons can be an important tool in an author’s toolbox, but like every tool, you have to be judicious in the use of them. They take a lot of money, and a lot of energy, and they often run longer than just the weekend, so they can eat into your writing time. All of those things lead me to recommend that newer authors only do one or two of these a year, and don’t try to vend at them until you get at least three books out. Obviously, your mileage will vary, but that’s my general recommendation for folks.

Next week we’ll talk about the dedicated autograph shows, and then I’ll wrap up with a post on the con to end all cons – Dragon Con, which touches pretty much every different type of con, while remaining something entirely unique.

Until then. if you’re going to be in Roanoke, VA on Saturday, November 4th, come out to see me at the Tanglewood Mall for the Roanoke Valley Comic Con, which will be slightly smaller than NYCC.